research roundup

research-roundup:-2,400-year-old-clay-puppets;-this-is-your-brain-on-klingon

Research roundup: 2,400-year-old clay puppets; this is your brain on Klingon


The stories we almost missed this month

Also: testing the efficacy of WWI “dazzle” camouflage; how the male blue-lined octopus survives deadly mating ritual.

Credit: J. Przedwojewska-Szymańska/PASI

It’s a regrettable reality that there is never time to cover all the interesting scientific stories we come across each month. In the past, we’ve featured year-end roundups of cool science stories we (almost) missed. This year, we’re experimenting with a monthly collection of such stories. March’s list includes fascinating papers on such topics as how the brain responds to speaking Klingon (or Dothraki, or Navi), the discovery of creepy preclassic Salvadoran puppets, the effectiveness of “dazzle camouflage,” and how male blue-lined octopuses manage not to be cannibalized by their chosen mates.

Wind Cave’s rocks fluoresce under black light

Several fluorescence measurements of a zebra calcite in Wind Cave were taken using portable spectrometers.

Several fluorescence measurements of a zebra calcite in Wind Cave were taken using portable spectrometers. Credit: Joshua Sebree

South Dakota’s Wind Cave gets its name from the flow of air moving continually through its many passages and equalizing the atmospheric pressure between the air inside and outside—almost like the cave is “breathing.” Its rock and mineral formations also boast a unique chemistry that fluoresces when exposed to black light, according to talks presented at the spring meeting of the American Chemical Society in San Diego. That fluorescence could shed light on how life can thrive in extreme environments, including that of Jupiter’s moon, Europa.

University of Northern Iowa astrobiologist Joshua Sebree and several students have been mapping new areas of Wind Cave (as well as other caves in the US), recording the passages, rock formations, minerals, and lifeforms they encounter in the process. They noticed that under UV light, certain parts of Wind Cave took on otherworldly hues, thanks to different concentrations of organic and inorganic fossilized chemical compounds. Those areas seem to indicate where water once flowed, carrying minerals into the cave from the surface 10,000 to 20,000 years ago, according to their analysis of the fluorescent spectra. Sebree et al. found that Wind Cave was likely carved out by waters rich in manganese, producing zebra stripes that glow pink under UV light, revealing the calcites that grew within as a result of those waters.

The physics of swing-top beer bottles

Three frames of a high-speed recording after popping a homebrewed bottle of beer.

Three frames of a high-speed recording after popping a homebrewed bottle of beer. Credit: Max Koch

So-called kitchen science is all the rage these days, with champagne, wine, and beer being particularly favorite subjects for experimentation. German physicist Max Koch of the University of Goettingen is as passionate about home brewing as he is about fluid dynamics. So naturally, Koch became fascinated by the distinctive “pop and slosh” sounds produced whenever he opened one of his home-brewed swing-top beer bottles. His experiments used a high-speed camera to capture the acoustics and underlying physics, augmented by audio recording and computer simulations.

Rather than producing a single shockwave, Koch and his co-authors discovered that the unique sound occurs because popping the lid produces a vibrating standing wave, thanks to condensation within the bottleneck, according to a paper published in the journal Physics of Fluids. They were surprised to find that the frequency of the pop was significantly lower than the resonance produced by blowing across the open bottle top, which they attributed to the sudden expansion of the carbon dioxide and a strong cooling effect that reduces sound speed. The sloshing is due to the bottle’s motion, and it’s possible that the lid hitting the glass after popping could produce more bubbles and hence gushing.

Physics of Fluids, 2025. DOI: 10.1063/5.0248739  (About DOIs).

How effective was WWI “dazzle paint”?

A painting by Norman Wilkinson of a moonlit convoy wearing his dazzle camouflage, 1918

A painting by Norman Wilkinson of a moonlit convoy wearing the dazzle camouflage he invented, 1918. Credit: Public domain

During World War I, ships were often painted with complex geometric shapes in contrasting and intersecting colors, dubbed “dazzle camouflage” and usually attributed to British marine artist Norman Wilkinson. The objective was to confuse enemy U-boat captains trying to determine the speed and direction of those ships, and a 1919 study seemed to support that hypothesis. Aston University researchers have revisited that original study and concluded that the horizon effect—in which ships viewed from a distance seem to be traveling along the horizon—is a more effective means of confusing enemy combatants, according to a paper published in the journal i-Perception.

The author of the 1919 study was an MIT marine engineering student named Leo Blodgett, who painted model ships in those geometric patterns and observed them with a model periscope in a mechanical test theater to see if he could determine whether an observer’s perception of the direction of travel was markedly different from the actual direction. He concluded that this was indeed the case and therefore dazzle paint was effective.

But according to the Aston scientists, Blodgett’s experiment did not have a solid control condition to warrant such a conclusion. So they revisited his 105-year-old data and ran their own version of Blodgett’s experiment, comparing results from his photographs showing the original dazzle camouflage with versions that had the camouflage patterns edited out. The results: the dazzle camouflage did work via a twist on perspective, but it was a small effect. The horizon effect had a much stronger confounding effect.

i-Perception, 2025. DOI: 10.1177/20416695241312316  (About DOIs).

Early Salvadoran clay puppets

These “Bolinas” figures were found in a Salvadorian pyramid.

These “Bolinas” figures were found in a Salvadoran pyramid. Credit: J. Przedwojewska-Szymańska/PASI

Archaeologists excavating the San Isidro pyramid in El Salvador have discovered five carved clay figurines dating back to around 400 BCE that may have been controlled with string like modern marionettes. Such “Bolinas” figures have also been found at a Mayan burial site in Guatemala, suggesting the two areas may have shared culture and civilization, according to a paper published in the journal Antiquity.

Three of the puppets were about a foot tall, with the other two measuring about 18 centimeters. The larger ones had adjustable heads connected to their bodies via matching sockets. The carved faces feature tongues, tattoos, and facial expressions that shift depending on the viewing angle: fearful when viewed from below and grinning from above, for example. The authors suggest that these puppets weren’t used as toys, but as “clay actors” in ritualistic funeral performances. “The universal impetus for creating scaled-down humanoid figures appears to be mimetic—that is, imbuing these handheld objects with deeper meanings that are readily decoded by the intended audience,” they concluded, although the shared cultural “code” for interpreting those meanings has been lost.

Antiquity, 2025. DOI: 10.15184/aqy.2025.37  (About DOIs).

This is your brain on Esperanto and Klingon

Worf, son of Mogh, is surprised by new fMRI study.

Worf, son of Mogh, is surprised by new fMRI study. Credit: Paramount+

J.R.R. Tolkien invented two Elvish languages (Quenya and Sindarin) when writing The Lord of the Rings trilogy. Star Trek has Klingon, the Avatar films have Na’vi, and Game of Thrones boasts two constructed languages, or conlangs: Dothraki and High Valyrian. There are even hardcore fans who have diligently become proficient in those invented languages. And apparently conlangs activate the same parts of the brain as their native tongues, according to a paper published in the Proceedings of the National Academy of Sciences.

MIT neuroscientist Evelina Fedorenko previously spearheaded studies on how the brain responds to stimuli that share certain language features—music, gestures, facial expressions, and computer programming languages like Python. None seemed to engage the language-processing areas of the brain. Curious about what makes natural language unique, Fedorenko et al. turned to conlangs. They organized a weekend conference featuring conlang creators as speakers and invited people fluent in Esperanto, Klingon, Na’vi, Dothraki, and High Valyrian to participate. They scanned 44 conlang speakers with fMRI as they listened to sentences in both their chosen conlang and their native tongue, performing nonlinguistic tasks as a control.

The results: The same language regions lit up regardless of whether they were speaking in their chosen conlang or native natural language. This helped the group determine that language responses appear to be driven in part by how they convey meaning about the interior and exterior world—objects, properties of objects, events, etc. Python, by contrast, is highly symbolic and abstract, disconnected from the everyday “real” world we experience. The group next plans to study how the brain responds to a different conlang called Lojban, created in the 1990s, to learn more about which language features activate the brain’s language centers.

PNAS, 2025. DOI: 10.1073/pnas.2313473122  (About DOIs).

Venom as a protective strategy for male octopuses

Male blue-lined octopuses inject females with venom during sex to avoid being eaten

Male blue-lined octopuses inject females with venom during sex to avoid being eaten. Credit: Wen-Sung Chung/University of Queensland

Sexual cannibalism—in which a female of the species consumes the male after copulating—is a very real thing in nature, seen in insect species like mantises and spiders, certain crustaceans and gastropods, and even certain species of octopus. Case in point: the blue-lined octopus (Hapalochlaena fasciata), a tiny creature found in shallow waters whose venom can be quite deadly, especially to humans. The females of the species might be the size of golf balls, but they are nonetheless significantly larger than the males and have a tendency to eat their mates.

Fortunately, the males have developed an effective defense strategy, according to a paper published in the journal Current Biology: They inject their chosen females with tetrodotoxin (a venom also produced by pufferfish) just before mating, temporarily paralyzing the females so the males can avoid being eaten. Scientists at the University of Queensland studied the behavior of mating blue-lined octopuses in the lab and noticed that males would bite the females near the aorta as the mating ritual commenced, flooding their systems with the venom.

This immobilized the females for the duration of the mating sessions (which lasted between 40 and 75 minutes); they largely stopped breathing, turned pale, and did not respond to visual stimuli during that time. The males actually increased their respiration rate as they used a specialized mating arm to deposit their sperm into the females’ oviducts to fertilize the eggs. The effects of the venom eventually wore off sufficiently for the females to push the males away without suffering any permanent effects. The authors suggest that female blue-lined octopuses may have evolved a tolerance to tetrodotoxin, ensuring they survive to lay their eggs and propagate the species.

Current Biology, 2025. DOI: 10.1016/j.cub.2025.01.027  (About DOIs).

Rubber hand illusion alleviates pain

A rubber hand is perceived as part of your own body when you can't see your own.

A rubber hand is perceived as part of your own body when you can’t see your own. Credit: Damian Gorczany

One of the many strange things to come out of 21st-century neuroscience is the so-called rubber hand illusion, in which a subject’s hand is hidden and replaced by a rubber hand in the position where the real hand would be. When both the real and fake hands are stroked simultaneously, subjects respond as if the rubber hand were part of their body. Threaten the rubber hand by attempting to stab it with a dagger, for instance, and the participants exhibit an involuntary startle or fear response. It’s the combination of visual and tactile feedback that does it, and it only takes a few seconds for the illusion to kick in. And it’s not a purely psychological effect; there have been measurable physiological responses as well.

Scientists in Bochum, Germany, have now shown that the rubber hand illusion can also alleviate pain, according to a paper published in the journal Pain Reports. They recruited 34 right-handed subjects, evaluated their individual pain thresholds, then placed the subjects’ left hands behind a screen. A left rubber hand was placed in front of the subjects, which could be lit from below with red light. Then heat was applied at different temperatures to the hidden hand, while red light increased on the visible rubber hand. Subjects were asked to rate their pain in response.

The results: subjects’ perception of pain decreased noticeably when the rubber hand illusion was used, compared to control conditions. The authors don’t yet know what the underlying mechanism might be but suggest it could be related to visual analgesia, in which pain is considered less intense if someone can see the part of the body that is being hurt.

Pain Reports, 2025. DOI: 10.1097/PR9.0000000000001252  (About DOIs).

Photo of Jennifer Ouellette

Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban.

Research roundup: 2,400-year-old clay puppets; this is your brain on Klingon Read More »

research-roundup:-7-cool-science-stories-from-february

Research roundup: 7 cool science stories from February


Dancing sea turtles, the discovery of an Egyptian pharaoh’s tomb, perfectly boiled eggs, and more.

X-ray image of the PHerc.172 scroll Credit: Vesuvius Challenge

It’s a regrettable reality that there is never time to cover all the interesting scientific stories we come across each month. In the past, we’ve featured year-end roundups of cool science stories we (almost) missed. This year, we’re experimenting with a monthly collection. February’s list includes dancing sea turtles, the secret to a perfectly boiled egg, the latest breakthrough in deciphering the Herculaneum scrolls, the discovery of an Egyptian pharaoh’s tomb, and more.

Dancing sea turtles

There is growing evidence that certain migratory animal species (turtles, birds, some species of fish) are able to exploit the Earth’s magnetic field for navigation, using it both as a compass to determine direction and as a kind of “map” to track their geographical position while migrating. A paper published in the journal Nature offers evidence of a possible mechanism for this unusual ability, at least in loggerhead sea turtles, who perform an energetic “dance” when they follow magnetic fields to a tasty snack.

Sea turtles make impressive 8,000-mile migrations across oceans and tend to return to the same feeding and nesting sites. The authors believe they achieve this through their ability to remember the magnetic signature of those areas and store them in a mental map. To test that hypothesis, the scientists placed juvenile sea turtles into two large tanks of water outfitted with large coils to create magnetic signatures at specific locations within the tanks. One tank features such a location that had food; the other had a similar location without food.

They found that the sea turtles in the first tank performed distinctive “dancing” moves when they arrived at the area associated with food: tilting their bodies, dog-paddling, spinning in place, or raising their head near or above the surface of the water. When they ran a second experiment using different radio frequencies, they found that the change interfered with the turtles’ internal compass, and they could not orient themselves while swimming. The authors concluded that this is compelling evidence that the sea turtles can distinguish between magnetic fields, possibly relying on complex chemical reactions, i.e., “magnetoreception.” The map sense, however, likely relies on a different mechanism.

Nature, 2025. DOI: 10.1038/s41586-024-08554-y  (About DOIs).

Long-lost tomb of Thutmose II

Archaeologists found a simple tomb near Luxor and identified it as the 3,500-year-old burial site of King Thutmose II.

Archaeologists found a simple tomb near Luxor and identified it as the 3,500-year-old burial site of King Thutmose II. Credit: Egypt’s Ministry of Tourism and Antiquities

Thutmose II was the fourth pharaoh of the Tutankhamun (18th) dynasty. He reigned only about 13 years and married his half-sister Hatshepsut (who went on to become the sixth pharaoh in the dynasty). Archaeologists have now confirmed that a tomb built underneath a waterfall in the mountains in Luxor and discovered in 2022 is the final resting place of Thutmose II. It’s the last of the 18th dynasty royal tombs to be found, more than a century after Tutankhamun’s tomb was found in 1922.

When it was first found, archaeologists thought the tomb might be that of a king’s wife, given its close proximity to Hatshepsut’s tomb and those of the wives of Thutmose III. But they found fragments of alabaster vases inscribed with Thutmose II’s name, along with scraps of religious burial texts and plaster fragments on the partially intact ceiling with traces of blue paint and yellow stars—typically only found in kings’ tombs. Something crucial was missing, however: the actual mummy and grave goods of Thutmose II.

It’s long been assumed that the king’s mummy was discovered in the 19th century at another site called Deir el-Bahari. But archaeologist Piers Litherland, who headed the British team that discovered the tomb, thinks that identification was in error. An inscription stated that Hatshepsut had the tomb’s contents relocated due to flooding. Litherland believes the pharaoh’s actual mummy is buried in a second tomb. Confirmation (or not) of his hypothesis won’t come until after archaeologists finish excavating what he thinks is the site of that second tomb, which is currently buried under multiple layers of rock and plaster.

Hidden images in Pollock paintings

“Troubled Queen” reveals a “hidden” figure, possibly a soldier. Credit: D.A. Morrissette et al., CNS Spectrums 2025

Physicists have long been fascinated by the drip paintings of “splatter master” Jackson Pollock, pondering the presence of fractal patterns (or lack thereof), as well as the presence of curls and coils in his work and whether the artist deliberately exploited a well-known fluid dynamics effect to achieve them—or deliberately avoided them. Now psychiatrists are getting into the game, arguing in a paper published in CNS Spectrums that Pollock—known to incorporate images into his early pre-drip paintings—also used many of the same images repeatedly in his later abstract drip paintings.

People have long claimed to see images in those drip paintings, but the phenomenon is usually dismissed by art critics as a trick of human perception, much like the fractal edges of Rorschach ink blots can fool the eye and mind. The authors of this latest paper analyzed Pollock’s early painting “Troubled Queen” and found multiple images incorporated into the painting, which they believe establishes a basis for their argument that Pollock also incorporated such images into his later drip painting, albeit possibly subconsciously.

“Seeing an image once in a drip painting could be random,” said co-author Stephen M. Stahl of the University of California, San Diego. “Seeing the same image twice in different paintings could be a coincidence. Seeing it three or more times—as is the case for booze bottles, monkeys and gorillas, elephants, and many other subjects and objects in Pollock’s paintings—makes those images very unlikely to be randomly provoked perceptions without any basis in reality.”

CNS Spectrums, 2025. DOI: 10.1017/S1092852924001470

Solving a fluid dynamics mystery

Soap opera in the maze: Geometry matters in Marangoni flows.

Every fall, the American Physical Society exhibits a Gallery of Fluid Motion, which recognizes the innate artistry of images and videos derived from fluid dynamics research. Several years ago, physicists at the University of California, Santa Barbara (UCSB) submitted an entry featuring a pool of red dye, propelled by a few drops of soap acting as a surfactant, that seemed to “know” how to solve a maze whose corridors were filled with milk. This is unusual since one would expect the dye to diffuse more uniformly. The team has now solved that puzzle, according to a paper published in Physical Review Letters.

The key factor is surface tension, specifically a phenomenon known as the Marangoni effect, which also drives the “coffee ring effect” and the “tears of wine” phenomenon. If you spread a thin film of water on your kitchen counter and place a single drop of alcohol in the center, you’ll see the water flow outward, away from the alcohol. The difference in their alcohol concentrations creates a surface tension gradient, driving the flow.

In the case of the UCSB experiment, the soap reduces local surface tension around the red dye to set the dye in motion. There are also already surfactants in the milk that work in combination with the soapy surfactant to “solve” the maze. The milk surfactants create varying points of resistance as the dye makes its way through the maze. A dead end or a small space will have more resistance, redirecting the dye toward routes with less resistance—and ultimately to the maze’s exit. “That means the added surfactant instantly knows the layout of the maze,” said co-author Paolo Luzzatto-Fegiz.

Physical Review Letters, 2025. DOI: 10.1073/pnas.1802831115

How to cook a perfectly boiled egg

Credit: YouTube/Epicurious

There’s more than one way to boil an egg, whether one likes it hard-boiled, soft-boiled, or somewhere in between. The challenge is that eggs have what physicists call a “two-phase” structure: The yolk cooks at 65° Celsius, while the white (albumen) cooks at 85° Celsius. This often results in overcooked yolks or undercooked whites when conventional methods are used. Physicists at the Italian National Research Council think they’ve cracked the case: The perfectly cooked egg is best achieved via a painstaking process called “periodic cooking,” according to a paper in the journal Communications Engineering.

They started with a few fluid dynamics simulations to develop a method and then tested that method in the laboratory. The process involves transferring a cooking egg every two minutes—for 32 minutes—between a pot of boiling water (100° Celsius) and a bowl of cold water (30° Celsius). They compared their periodically cooked eggs with traditionally prepared hard-boiled and soft-boiled eggs, as well as eggs prepared using sous vide. The periodically cooked eggs ended up with soft yolks (typical of sous vide eggs) and a solidified egg white with a consistency between sous vide and soft-boiled eggs. Chemical analysis showed the periodically cooked eggs also contained more healthy polyphenols. “Periodic cooking clearly stood out as the most advantageous cooking method in terms of egg nutritional content,” the authors concluded.

Communications Engineering, 2025. DOI: 10.1038/s44172-024-00334-w

More progress on deciphering Herculaneum scrolls

X-ray scans and AI reveal the inside of ancient scroll

X-ray scans and AI reveal the inside of an ancient scroll. Credit: Vesuvius Challenge

The Vesuvius Challenge is an ongoing project that employs “digital unwrapping” and crowd-sourced machine learning to decipher the first letters from previously unreadable ancient scrolls found in an ancient Roman villa at Herculaneum. The 660-plus scrolls stayed buried under volcanic mud until they were excavated in the 1700s from a single room that archaeologists believe held the personal working library of an Epicurean philosopher named Philodemus. The badly singed, rolled-up scrolls were so fragile that it was long believed they would never be readable, as even touching them could cause them to crumble.

In 2023, the Vesuvius Challenge made its first award for deciphering the first letters, and last year, the project awarded the grand prize of $700,000 for producing the first readable text. The latest breakthrough is the successful generation of the first X-ray image of the inside of a scroll (PHerc. 172) housed in Oxford University’s Bodleian Libraries—a collaboration with the Vesuvius Challenge. The scroll’s ink has a unique chemical composition, possibly containing lead, which means it shows up more clearly in X-ray scans than other Herculaneum scrolls that have been scanned.

The machine learning aspect of this latest breakthrough focused primarily on detecting the presence of ink, not deciphering the characters or text. Oxford scholars are currently working to interpret the text. The first word to be translated was the Greek word for “disgust,” which appears twice in nearby columns of text. Meanwhile, the Vesuvius Challenge collaborators continue to work to further refine the image to make the characters even more legible and hope to digitally “unroll” the scroll all the way to the end, where the text likely indicates the title of the work.

What ancient Egyptian mummies smell like

mummified bodies in the exhibition area of the Egyptian museum in Cairo.

Mummified bodies in the exhibition area of the Egyptian Museum in Cairo. Credit: Emma Paolin

Much of what we know about ancient Egyptian embalming methods for mummification comes from ancient texts, but there are very few details about the specific spices, oils, resins, and other ingredients used. Science can help tease out the secret ingredients. For instance, a 2018 study analyzed organic residues from a mummy’s wrappings with gas chromatography-mass spectrometry and found that the wrappings were saturated with a mixture of plant oil, an aromatic plant extract, a gum or sugar, and heated conifer resin. Researchers at University College London have now identified the distinctive smells associated with Egyptian mummies—predominantly”woody,” “spicy,” and “sweet,” according to a paper published in the Journal of the American Chemical Society.

The team coupled gas chromatography with mass spectrometry to measure chemical molecules emitted by nine mummified bodies on display at the Egyptian Museum in Cairo and then asked a panel of trained human “sniffers” to describe the samples smells, rating them by quality, intensity, and pleasantness. This enabled them to identify whether a given odor molecule came from the mummy itself, conservation products, pesticides, or the body’s natural deterioration. The work offers additional clues into the materials used in mummification, as well as making it possible for the museum to create interactive “smellscapes” in future displays so visitors can experience the scents as well as the sights of ancient Egyptian mummies.

Journal of the American Chemical Society, 2025. DOI: 10.1021/jacs.4c15769

Photo of Jennifer Ouellette

Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban.

Research roundup: 7 cool science stories from February Read More »