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Bill Skarsgård takes revenge from beyond the grave in The Crow trailer

True love never dies —

“You know that love promises only pain.”

Bill Skarsgård takes on the role of Eric Draven in the Lionsgate reboot of The Crow.

The 1994 cult classic film The Crow turns 30 this spring, so it’s as good a time as any to drop the first trailer for the long-in-development reboot directed by Rupert Sanders (Snow White and the Huntsman, Ghost in the Shell). Bill Skarsgård takes on the starring role made famous by the late Brandon Lee.

(Spoilers for the original 1994 film below.)

Based on a 1989 limited comic series by James O’Barr, The Crow was directed by Alex Proyas. The film starred Brandon Lee as Eric Draven, a rock musician in crime-ridden Detroit. He and his fiancée, Shelly Webster (Sofia Shinas), are brutally murdered on Devil’s Night by a gang of thugs on the orders of a crime boss named Top Dollar (Michael Wincott). A year later, Eric is resurrected, dons black-and-white face paint, and proceeds to take his bloody revenge before returning to his grave. Alas, Lee was accidentally killed by a prop gun during the final days of shooting; the film was completed with the help of Lee’s stunt double (Chad Stahelski, who launched the John Wick franchise) and some clever special effects.

Despite the shadow of Lee’s tragic death, The Crow went on to gross $94 million against its modest $23 million budget and establish itself as a cult classic. Sure, the dialogue was occasionally hokey, and most of the characters were pretty one-dimensional, but there was no denying Lee’s star power and the striking visual energy, augmented by a killer soundtrack. There were three sequels focused on different characters with none of the original cast members, but none of those were as successful as the original.

Plans for a reboot first emerged in late 2008, but the development process proved rocky. O’Barr initially expressed pessimism about any reboot but later warmed to the prospect. As recently as November 2019, Proyas remained adamantly opposed: “It’s not just a movie that can be remade, it’s one man’s [Lee’s] legacy,” he said at the time. “And it should be treated with that level of respect.”

The project cycled through directors, stars, screenwriters, and so forth for more than a decade before Sanders signed on as director in 2022. Along with Skarsgård, the cast includes FKA Twigs as Shelly and Isabella Wei as Zadie. Danny Huston, Laura Birn, Sami Bouajila, and Jordan Bolger will also appear in as-yet-unnamed roles. Per the official premise:

Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA Twigs) are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.

The fact that Eric apparently has a chance to save Shelly by sacrificing himself is a marked departure from the 1994 film and in keeping with Sanders’ stated desire to let the love story be the primary driver for his reboot. The trailer opens by introducing us to the young lovers, moving quickly from their first meeting to the consummation of their love. They’re basically two broken people who find happiness in each other—until Shelly witnesses a murder that results in the couple being brutally and fatally attacked. Eric comes back as The Crow, bent on revenge, even as he’s “running out of time to save her.”

  • Eric Draven (Bill Skarsgård) falls in love with Shelly (FKA Twigs).

    YouTube/Lionsgate

  • Shelly saw something she shouldn’t have seen, bringing violence to their door.

    YouTube/Lionsgate

  • Crows are supposed to carry away the souls of the dead.

    YouTube/Lionsgate

  • Sometimes that doesn’t happen until the very bad things are set to right.

    YouTube/Lionsgate

  • “I’m gonna kill them all.”

    YouTube/Lionsgate

  • Danny Huston plays a villain in a very nice suit.

    YouTube/Lionsgate

  • “We have a problem.” When Laura Birn is right, she’s right.

    YouTube/Lionsgate

  • He knows exactly what hell awaits him.

    YouTube/Lionsgate

Look, the trailer seems perfectly fine. Skarsgård is a phenomenal acting talent, but while Huston generally makes a great villain, one rather misses the wry humor of Wincott’s Goth sadist Top Dollar. The truth is, this reboot could be a tough sell to longtime fans of the original (like me), although it’s encouraging that the director seems to have won over O’Barr with his decision to hark back to the source material.

Sanders is very much aware of this challenge and is taking pains to emphasize his deep regard for Lee’s legacy. “What Alex Proyas did with The Crow in 1994—and Brandon Lee’s iconic embodiment of that character—will forever impact that generation and others to follow,” he said in a statement accompanying the trailer’s release. “It expressed its time in a very specific, music-driven vision.” Sanders added that his own vision strives to bring The Crow (including the original book) to a new generation of young people, calling the character of Eric Draven/The Crow “the original anti-superhero” who grapples with universal themes of “love, grief, and rage.”

Skarsgård also issued a statement that he has long been a fan of the original film; it was Sanders’ vision that convinced him to star in the reboot. “[Sanders] wanted to completely reimagine the story and the character and tailor it towards a modern audience,” he said. “It’s a character that I know many revere and have a strong connection to—he is unlike any I’ve ever taken on before. I felt a responsibility to Eric’s story and endeavored to stay true to the spirit of the source material.”

The Crow was originally scheduled for release on June 7, 2024. But the trailer tells us it’s coming “this summer,” which is vague. I guess we’ll see.

Lionsgate

Listing image by YouTube/Lionsgate

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Ghouls, gulpers, and general mayhem abound in Fallout official trailer

A story of haves and have-nots —

“Everyone wants to save the world. They just disagree on how.”

A Vault Dweller navigates a post-apocalyptic wasteland in Fallout, based on the bestselling gaming franchise.

Amazon Prime Video has dropped the full official trailer for Fallout, the streaming platform’s forthcoming post-apocalyptic sci-fi series. It’s based on the bestselling role-playing gaming franchise set in a satirical, 1950s-style future post-nuclear apocalypse. There’s plenty for gaming fans to be pleased about, judging by the trailer, but casting national treasure Walton Goggins (Justified) as a gunslinging Ghoul was quite simply a stroke of genius.

The first Fallout RPG was released in 1997, followed by several sequels and spinoffs. According to the game’s lore, modern civilization is destroyed in 2077 by a global nuclear war between the US and China. Survivors live in various underground vaults (fallout shelters). Each iteration of the game takes place somewhere across a post-apocalyptic US metro area and features a Vault Dweller—someone born and raised underground—as the protagonist. The first game takes place in 2161 and features a Vault Dweller from Vault 13, deep in the mountains of Southern California. The Vault Dweller must complete various missions to save the residents of Vault 13, which takes said protagonist to in-world places like Junktown; a merchant city called the Hub; and Necropolis, filled with Ghouls, i.e., humans badly mutated by exposure to nuclear radiation.

The series was announced in July 2020, with Westworld writers Jonathan Nolan and Lisa Joy serving as executive producers. In January 2022, it was revealed that Nolan would direct the first three episodes but that two other writers—Geneva Robertson-Dworet and Graham Wagner—would be the showrunners. Todd Howard, who directed several games in the franchise, is also an executive producer and has said the series is not an adaptation of any particular game, but it is set within the same continuity. Per the official premise:

Based on one of the greatest video game series of all time, Fallout is the story of haves and have-nots in a world in which there’s almost nothing left to have. Two hundred years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind—and are shocked to discover an incredibly complex, gleefully weird and highly violent universe waiting for them.

In addition to Goggins, Ella Purnell stars as a young Vault Dweller named Lucy, who must venture out into the wasteland on a mission to save her community in Vault 33. Aaron Moten plays a squire of the Brotherhood of Steel named Maximus; Kyle MacLachlan plays Lucy’s father, Hank, who is a Vault Overseer; Mike Doyle plays Mr. Spencer; Moises Arias plays Lucy’s brother, Norm; Michael Emerson plays an enigmatic wanderer named Wilzig; Johnny Pemberton plays Thaddeus; Cherien Dabis plays Birdie; Dale Dickey plays Ma June; Matty Cardarople plays Huey; Dave Register plays Chet; Rodrigo Luzzi plays Reg; and Annabel O’Hagan plays Steph. Sarita Choudhury and Leslie Uggams also appear in the series.

  • Nuclear weapons have devastated Los Angeles.

    YouTube/Prime Video

  • Ella Purnell stars as a young Vault Dweller named Lucy.

    YouTube/Prime Video

  • The Ghoul (Walton Goggins) is a mutated gunslinger and bounty hunter.

    YouTube/Prime Video

  • Aaron Moten plays Maximus, a squire with the Brotherhood of Steel.

    YouTube/Prime Video

  • Hey, it’s Michael Emerson of Lost fame, playing an enigmatic wanderer named Wilzig.

    YouTube/Prime Video

  • Kyle MacLachlan plays Lucy’s father, Hank, a Vault Overseer.

    YouTube/Prime Video

  • Sarita Choudhury looking fierce!

    YouTube/Prime Video

  • A glimpse of the Ghoul when he was still Cooper Howard, trying to save his daughter from a nuclear blast.

    YouTube/Prime Video

  • “I’m simply going to harvest your organs.”

    YouTube/Prime Video

  • Look out for Gulpers!

    YouTube/Prime Video

  • “There you are, you little killer.”

    YouTube/Prime Video

A teaser dropped in January, chock-full of details instantly recognizable to longtime fans of the games. The new trailer opens with a pre-apocalypse Goggins in a snazzy suit, pitching “a veritable Camelot of the nuclear age”: underground vaults housing residential communities, “because if the worst should happen tomorrow, the world is gonna need you to build a better day after.” The worst does happen, of course, and we catch glimpses of a devastated Los Angeles in the wake of a nuclear war, including a ruined Santa Monica Pier and Griffith Observatory. Then we see Lucy preparing to leave her Vault, despite warnings that “it isn’t like the Vault out there; it’s big.”

Lucy first encounters a hardened Ma June, who laughs derisively when Lucy naively asks what’s happened in the last 200 years. (Frankly, she thought all the Vault Dwellers were dead.) Lucy also has several run-ins with the Ghoul formerly known as Cooper Howard. Pretty much everyone she meets seems to want her dead, although the robot Mr. Handy helpfully informs her it just wants to harvest her organs. Maximus gets his share of screen time, both in and out of full Brotherhood of Steel armor, and we get a glimpse of the Brotherhood’s airships, as well as a mutant monster called a Gulper. It’s a violent, chaotic wasteland, but apparently, “there’s always somebody behind the wheel.”

All episodes of Fallout will premiere on Prime Video on April 11, 2024.

Listing image by YouTube/Prime Video

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The people of Earth prepare for war in final trailer for 3 Body Problem

“What do you think is happening?” —

“When your consciousness ends in one world, it could continue to exist in many other worlds.”

Netflix’s new sci-fi series 3 Body Problem makes its world premiere tonight at the SXSW Film & Television festival in Austin.

The countdown continues for the hotly anticipated debut of 3 Body Problem, Netflix’s eight-episode sci-fi series adapted from the award-winning novel The Three-Body Problem by Liu Cixin, the first book in his Remembrance of Earth’s Past trilogy. Those attending the SXSW Film & Television Festival in Austin will get to see the series’ world premiere tonight. The rest of us have to wait until later this month, but in the meantime, the streaming platform has released a final trailer.

(Some spoilers for the novel below.)

The 3-Body Problem‘s narrative is told in a nonlinear fashion, jumping between a young astrophysicist, Ye Wenjie, who witnesses her father being beaten to death by Red Guards during the Cultural Revolution, and Ye’s return to Tsinghua University as an established professor many years later. During the earlier timeline, Ye figures out a means of sending an interstellar message to possible extraterrestrial civilizations and receives a response from a planet called Trisolaris. (As its name implies, the planet has three suns, which wreak havoc on Trisolaris via unpredictable “chaotic periods”—hence the novel’s title, which refers to a classic problem in celestial mechanics.) Despite being warned that the aliens intend to invade and conquer Earth, Ye responds to the message and invites them to do so, disillusioned by the state of the world.

The Trisolarians depart on their 450-year journey. Meanwhile, there have been complicated developments on Earth as people learn of the pending arrival of aliens. There is a secret society of scientists, political leaders, and other scholars who share Ye’s sentiment about the state of humanity, which, over time, splits into three competing factions. Some members continue to support the full destruction of humanity; others plan to help the aliens in exchange for the survival of themselves and their descendants; and still others regularly play a VR game called Three-Body and attempt to find a computational solution to the actual three-body problem that plagues Trisolaris. That’s a recipe for tension and conflict, which plays out in various ways throughout the novel.

The Netflix series was created by David Benioff, D.B. Weiss (Game of Thrones), and Alexander Woo (True Blood). Per the official premise:

A young woman’s fateful decision in 1960s China reverberates across space and time into the present day. When the laws of nature inexplicably unravel before their eyes, a close-knit group of brilliant scientists join forces with an unorthodox detective to confront the greatest threat in humanity’s history.

Zine Tseng stars as the young Ye Wenjie, with Rosalind Chao playing the older version. The cast also includes Benedict Wong as Da Shi, an intelligence officer who is investigating the mysterious deaths of scientists; Liam Cunningham as Thomas Wade, the charismatic leader of a global intelligence operation; Saamer Usmani as Raj Varma, a naval officer; and Jonathan Pryce as a wealthy eccentric named Mike Evans who helps set up a secret society. Ben Schnetzer plays the younger version of Mike Evans, while Marlo Kelly plays Tatiana, who was raised in Evans’ organization.

The “Oxford Five” are John Bradley as Jack Rooney; Alex Sharp as Will Downing, a sixth-form physics teacher; Jess Hong as Jin Cheng, a brilliant theoretical physicist whose curiosity is both a strength and a weakness; Jovan Adepo as Saul Durand, another physicist; and Eiza González as Auggie Salazar, a pioneer in nanotechnology (comparable to the character of Wang Miao in the novel). Sea Shimooka plays Sophon, an avatar in the show’s mysterious VR game.

The first teaser was released last June, followed in November by an exclusive clip showing Jack Rooney trying on a mysterious VR headset—only to learn from the avatar Sophon that he wasn’t “invited.” Netflix debuted the official full trailer for 3 Body Problem at CES in Las Vegas in January, and it focused heavily on the central mystery surrounding the deaths of 30 scientists in a single month, as well as people starting to see numbers representing some kind of countdown before their eyes.

This final trailer focuses a bit more on the backstory, namely the detection of the famous WOW! signal in 1977 with a glimpse of Ye Wenjie’s personal tragedy during China’s Cultural Revolution. The older Ye Wenjie tells us that “they are coming,” as others wonder who “they” might be. Of course, it’s aliens, bringing the threat of impending war as Dinah Washington croons “This Bitter Earth” in the background, lending an almost elegiac mood to the trailer. At one point, Ye Wenjie asks Jin how she will be remembered, and Jin replies, “As someone who fought back.”

All eight episodes of 3 Body Problem will hit Netflix on March 21, 2024.

Listing image by YouTube/Netflix

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Plucky crew of Star Trek: Discovery seeks a strange artifact in S5 trailer

Their final adventure begins —

“It has been a hell of a journey. But everything ends someday.”

Star Trek: Discovery returns for its fifth and final season after a two-year hiatus.

It’s been two years since we had new episodes of Star Trek: Discovery, which debuted in 2017. Now Paramount+ has dropped the official trailer for the fifth and final season of the spinoff series.

(Spoilers for prior seasons below.)

As previously reported, Sonequa Martin-Green plays Michael Burnham, an orphaned human raised on the planet Vulcan by none other than Sarek (James Frain) and his human wife, Amanda Grayson (Mia Kirshner)—aka, Spock’s (Ethan Peck) parents. So, she is Spock’s adoptive sister. As I’ve written previously, the S2 season-long arc involved the mysterious appearances of a “Red Angel” and a rogue Starfleet AI called Control that sought to wipe out all sentient life in the universe.

The big reveal was that the Red Angel was actually a time-travel suit worn by Michael’s biological mother. She had accidentally jumped 950 years into a bleak future in which Control had achieved its nefarious goal and had been traveling through time, leaving signals (in the form of the visions), hoping to alter that future. In the S2 finale, Michael donned a copy of her mother’s suit to lead Discovery over 900 years into the future. The crew of the Enterprise told Starfleet that Discovery was destroyed in the battle and was ordered never to speak of the ship or her crew again.

In S3, Michael, Discovery, and her crew arrived in the future and found that Control’s plan had been thwarted: Life still exists. But the galaxy was very different thanks to something called The Burn, a catastrophic event that caused all the dilithium in the Milky Way to explode and destroy much of Starfleet in the process. In the aftermath, with no warp drive possible, all the planets had become disconnected and were no longer governed by the Federation. Michael did, however, manage to locate one sole Federation liaison on a remote space station with the help of a new ally, Book (David Ajala).

The Discovery crew reunited with what was left of Starfleet, figured out what caused The Burn, and managed to defeat a rival syndicate known as the Emerald Chain, inspiring planets to start rejoining the Federation. Burnham finally became captain of Discovery after Saru (Doug Jones) opted to return to his home planet of Kaminar for a spell. And we bid a sorrowful farewell to Philippa Georgiou (Michelle Yeoh).

S4 opened with the plucky crew—including Saru as first officer—helping rebuild the Federation and celebrating the reopening of Starfleet Academy. They soon encountered a “gravitational anomaly” five light-years in diameter that destroyed Book’s home planet of Kwejian as it moved through the galaxy. It turned out to be a powerful technology belonging to an alien species with interconnected minds called 10-C, whose language employed mathematical equations. In the S4 finale, the aliens ultimately agreed to turn off their technology, thereby sparing Earth and other Federation planets.

The fifth season was already in development by March 2020, and the plan was to film those episodes back-to-back with S4. Then, the COVID-19 pandemic hit and put those plans on hold. Filming didn’t happen until 2022. While S5 was originally meant to air last year, once Paramount decided to pull the plug and make it the final season, they needed to shoot additional footage in order to wrap up the series properly. Per the official premise:

The fifth and final season will find Captain Michael Burnham (Sonequa Martin-Green) and the crew of the U.S.S. Discovery uncovering a mystery that will send them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries. But there are others on the hunt as well… dangerous foes who are desperate to claim the prize for themselves and will stop at nothing to get it.

In addition to Martin-Green, Jones, and Ajala, much of the main cast is returning for S5: Anthony Rapp as Stamets; Mary Wiseman as Tilly; Wilson Cruz as Dr. Culber; Blu del Barrio as Adira Tal; and Callum Keith Rennie as Rayner. Eve Harlow and Elias Toufexis will reprise their recurring roles as Moll and L’ak, respectively. Returning as notable guest stars in S5: Oded Fehr as Starfleet Commander-in-Chief Charles Vance; Chelah Horsdal as Lair Rillak; Tara Rowling as T’Rina; David Cronenberg as Kovich; and Tig Notaro as Jett Reno.

The first two episodes of the fifth and final season of Star Trek: Discovery will premiere on Paramount+ on April 4, 2024; the remaining eight episodes will air weekly after that through May 30.

Listing image by Paramount+

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A new generation of storm chasers takes on Mother Nature in Twisters trailer

“If you feel it, chase it!” —

“You don’t face your fears, you ride ’em.”

Daisy Edgar-Jones, Anthony Ramos, and Glen Powell star in Twisters, a standalone film inspired by the 1996 classic.

Like so many others, I adored the 1996 film Twister, now a classic in the “disaster porn” genre and still in frequent weekend and holiday rotation on broadcast and cable networks nearly 30 years later. We’re finally getting a follow-up with Twisters, directed by Lee Isaac Chung (Minari). Universal Pictures dropped the official trailer during the Super Bowl on Sunday.

(Some spoilers for the original film below.)

Twister rocked the 1996 box office, racking up $495 million worldwide and snagging an Oscar nomination for special effects. Critics’ reactions were more mixed. The film earned well-deserved  praise for its special effects and sheer entertainment value.  Who can forget the flying cows, the jaw-dropping CGI twisters, and that classic scene when a tornado suddenly rips through a drive-in movie screen right in the middle of The Shining? But others criticized the thin character development and dismissed the film as “loud,” “dumb,” and “a triumph of technology over storytelling and the actor’s craft.”

Was the film often ridiculously over-the-top (especially that final encounter with the F5)? Yes indeed. Were the supporting characters a bit one-note? Granted, especially Cary Elwes’ smarmy corporate-funded rival scientist. But Helen Hunt and Bill Paxton had genuine chemistry as estranged storm-chasing spouses Jo and Bill; their relationship was the heart of the film and clearly resonated with viewers.

And yes, the scientific elements were exaggerated for the big screen, although flying cows (plus pigs, horses, and various vehicles) are absolutely a thing during real tornadoes. The fictional sensing system DOROTHY was inspired by a 1970s instrument to measure real-time conditions of tornadoes called TOTO (Totable Tornado Observatory).  And so many young people loved the movie so much they wanted to become tornado scientists themselves. The number of meteorological majors in the US grew by 10 percent in the 1990s, and the University of Oklahoma doubled its meteorology program. That’s pretty impressive for supposedly loud and dumb mindless entertainment.

  • Kate (Daisy Edgar-Jones), Javi (Anthony Ramos), and Tyler (Glen Powell) are the next generation of storm chasers.

    YouTube/Universal Pictures

  • Tyler is clearly the Cary Elwes character this time around.

    YouTube/Universal Pictures

  • A storm is brewing

    YouTube/Universal Pictures

  • We’ve still got the storm tracking system, DOROTHY

    YouTube/Universal Pictures

  • Fly, little sensors, fly! Into the tornado!

    YouTube/Universal Pictures

  • Now that’s what we call a twister.

    YouTube/Universal Pictures

  • Kate gives her best “OMG, twister!” face

    YouTube/Universal Pictures

  • Double the fun for our intrepid storm chasers

    YouTube/Universal Pictures

  • “We got twins. TWINS!!!”

    YouTube/Universal Pictures

Rumors were circulating back in 2020 about a possible remake of Twister, with Joseph Kosinski directing, but that had dissipated by the following year. Hunt then proposed a sequel, with herself writing and directing, but the studio nixed that idea. (Apparently Hunt killed off her own character, Jo, in the draft script. Bold move.) Eventually the project morphed into Twisters, centered on the daughter of Hunt’s and Paxton’s characters from the original. It’s now being touted as a standalone sequel, however, so that connection might have fallen by the wayside during development. Per the official premise:

[Daisy] Edgar-Jones stars as Kate Cooper, a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi (Anthony Ramos) to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better. As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.

The cast also includes Maura Tierney, Brandon Perea, Daryl McCormack, Sasha Lane, Kiernan Shipka, Nik Dodani, Harry Hadden-Paton, David Corenswet, Tunde Adebimpe, and Katy O’Brian.

The trailer itself is just a series of spectacularly frenetic storm chasing sequences interspersed with a bit of human interaction, such as a few romantic sparks between Kate and Tyler the exhibitionist YouTuber (at least Tyler seems to feeling it). Screenwriter Mark L. Smith (The Revenant) consulted with all kinds of scientific experts while working on the screenplay and the storyline incorporates more of the causes and effects of climate change as it pertains to more frequent and violent weather—including tornadoes.

Twisters seems to have all the same requisite elements of its predecessor, including the DOROTHY system—an unusual choice for something meant to be a completely original story—but it still can’t help feeling at best like a pale reflection. And the performances come off as much more shrill and over-the-top, at least in the trailer. The cast is game enough, but screaming “Twins! We got TWINS!” when a tornado splits in two is far less effective than Hunt’s Jo casually glancing at random livestock flying past their truck and blithely commenting, “Cow.” Even Bill’s citified fiancee (Jami Gertz) only managed a wide-eyed “I gotta go, we got cows” over her cell phone. Sometimes less is more.

Then again, the original 1996 trailer for Twister captured nothing of that film’s charm, humor, and sheer entertainment value. We’ll have to wait and see if Chung can pull it off; he’s an able director and an interesting choice to helm this particular project. And who knows? Maybe Twisters will inspire another new generation of storm chasers and climate scientists.

Twisters hits theaters on July 19, 2024.

Listing image by YouTube/Universal Pictures

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Wade Wilson is kidnapped by the TVA in Deadpool and Wolverine teaser

Everyone deserves a happy ending —

“Your little cinematic universe is about to change forever.”

Wade Wilson (Ryan Reynolds), aka Deadpool, is back to save the MCU: “I am Marvel Jesus.”

After some rather lackluster performances at the box office over the last year or so, Marvel Studios has scaled back its MCU offerings for 2024. We’re getting just one: Deadpool and Wolverine. Maybe one is all we need. Marvel released a two-minute teaser during yesterday’s Super Bowl. And if this is the future of the MCU, count us in. The teaser has already racked up more than 12 million views on YouTube, and deservedly so. It has the cheeky irreverence that made audiences embrace Ryan Reynold’s R-rated superhero in the first place, plus a glimpse of Hugh Jackman’s Wolverine—or rather, his distinctive shadow. And yes, Marvel is retaining that R rating—a big step given that all the prior MCU films have been resoundingly PG-13.

(Some spoilers for the first two films below.)

Reynolds famously made his first foray into big-screen superhero movies in 2011’s The Green Lantern, which was a box office disappointment and not especially good. But he found the perfect fit with 2016’s Deadpool, starring as Wade Wilson, a former Canadian special forces operative (dishonorably discharged) who develops regenerative healing powers that heal his cancer but leave him permanently disfigured with scars all over his body. Wade decides to become a masked vigilante, turning down an invitation to join the X-Men and abandon his bad-boy ways.

The first Deadpool was a big hit, racking up $782 million at the global box office, critical praise, and a couple of Golden Globe nominations for good measure. So 20th Century Fox naturally commissioned a sequel. Deadpool 2 was released in 2018 and was just as successful. The adult humor and playful pop culture references were a big part of both films’ appeal, including their respective post-credits scenes. The first film had a post-credits scene spoofing Ferris Bueller’s Day Off. The sequel’s mid-credits sequence showed a couple of X-Men repairing a time travel device for Deadpool, which he used to save his girlfriend Vanessa (Morena Baccarin‚—whose tragic death kicked off Deadpool 2—and kill Ryan Reynolds, just as the actor finished reading the script for Green Lantern.

This time around, Shawn Levy takes the director’s chair; he also directed Reynolds in the thoroughly delightful Free Guy (2021), which had similar tonal elements, minus the R-rated humorous riffs. Once we learned that Jackman had agreed to co-star, reprising his iconic X-Men role, fan anticipation shot through the roof. Filming (and hence the release date) was delayed by last summer’s Hollywood strikes but finally wrapped early this year.

Deadpool and Wolverine reunites many familiar faces from the first two films: Reynolds and Baccarin, obviously, but also Leslie Uggams as Blind Al; Karan Soni as Wade’s personal chauffeur, taxi driver Dopinder; Brianna Hildebrand as Negasonic Teenage Warhead; Stefan Kapičić as the voice of Colossus; Shioli Kutsuna as Negasonic’s mutant girlfriend Yukio; Randal Reeder as Buck; and Lewis Tan as X-Force member Shatterstar.

We’re also getting some characters drawn from various films under the 20th Century Fox Marvel umbrella: Pyro (Aaron Stanford)—last seen in 2006’s X-Men: The Last Stand—and Jennifer Garner’s Elektra who appeared in the 2003 Daredevil film as well as 2005’s Elektra. Apparently, the mutants Sabretooth and Toad will also appear, along with Dogpool. New to the franchise are Matthew MadFadyen as a Time Variance Authority agent named Paradox and Emma Corrin as the lead villain. There are rumors that Owen Wilson’s Mobius and the animated Miss Minutes from Loki will also appear in the film, which makes sense, given the TVA’s key role in the plot.

The teaser opens with Wade celebrating his birthday with Vanessa and all their friends, only to then have a group of formidable TVA agents knock on his door, brandishing their wands. (“Is that supposed to be scary?” Wade responds. “Pegging isn’t new for me, friendo, but it is for Disney.”) He’s tossed through a portal and ends up at TVA headquarters, face to face with Paradox, who offers him a chance to be “a hero among heroes.” And Wade decides he’s game, declaring himself a superhero Messiah: “I… am… Marvel Jesus.” He suits up as Deadpool, and violence inevitably ensues.

Then comes the shot we’ve all been waiting for: Deadpool lying on his back on icy terrain after being tossed through a wall, with a Wolverine-shaped shadow falling across his body. “Don’t just stand there, you ape—give me a hand up,” Deadpool says, and then sees the claws. We get the briefest glimpse of Wolverine’s trademark yellow X-Men uniform before the credits roll.

Deadpool and Wolverine hits theaters on July 26, 2024.

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Watch Godzilla Minus One in dazzling black and white during limited US run

A masterful remastering —

“By eliminating color, a new sense of reality emerges.”

Watch Godzilla Minus One in dazzling black and white during limited US run

Toho Inc.

The critically acclaimed film, Godzilla Minus One, hit US theaters in early December and racked up $51 million in the US alone and over $96 million globally, shooting past 2016’s Shin Godzilla as the most successful Japanese-produced Godzilla film to date. The film is winding down its theatrical run, but director, writer, and VFX supervisor Takashi Yamazaki has remastered a black-and-white version of the film as an homage to the 1954 classic Godzilla, released in Japan last week. And now US audiences will have a chance to see that version when Godzilla Minus One/Minus Color arrives at AMC theaters in the US for a limited run from January 26 through February 1.

(Minor spoilers for Godzilla Minus One below.)

Yamakazi spent three years writing the script for Godzilla Minus One, drawing inspiration not just from the original 1954 film but also Jaws (1975), Godzilla, Mothra and Ghidorah (2001), Shin Godzilla, and the films of Hayao Miyazaki. He opted to set the film in postwar Japan, like the original, rather than more recent events like the Fukushima nuclear accident in 2011, in order to explore themes of postwar trauma and emerging hope. The monster itself was designed to be horrifying, with spiky dorsal fins and a bellowing roar produced by recording an amplified roar in a large stadium.

The plot follows a former WWII kamikaze pilot named Kōichi Shikishima (Ryunosuke Kamiki) who encountered Godzilla in 1945 when the monster attacked a Japanese base on Odo Island, but failed to act to help save the garrison. His parents were killed when Tokyo was bombed, so Shikishima is grappling with serious survivor’s guilt a few years later as he struggles to rebuild his life with a woman named Noriko (Minami Hamabe) and a rescued orphaned baby. Then Godzilla mutates and re-emerges for a renewed attack on Japan, and Shikishima gets the chance to redeem himself by helping to destroy the kaiju.

Godzilla Minus One was received with almost universal critical acclaim, with some declaring it not just one of the best films released in 2023 but possibly one of the best Godzilla films ever made. (We didn’t include the film in our own year’s best list because no Ars staffers had yet seen the film when the list was compiled, but it absolutely merits inclusion.) Among other accolades, the film made the Oscar shortlist for Best Visual Effects.

It was a painstaking process to remaster Godzilla Minus One into black and white. “Rather than just making it monochrome, it is a cut-by-cut,” Yamakazi said in a statement last month. “I had them make adjustments while making full use of various mattes as if they were creating a new movie. What I was aiming for was a style that looked like it was taken by masters of monochrome photography. We were able to unearth the texture of the skin and the details of the scenery that were hidden in the photographed data. Then, a frightening Godzilla, just like the one in the documentary, appeared. By eliminating color, a new sense of reality emerges.”

Godzilla Minus One/Minus Color will have a limited run in US AMC theaters from January 26 through February 1, 2024.

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You had us at “friendly alien space spider”: Netflix drops Spaceman trailer

There’s a star-spider waiting in the sky —

“Six months in isolation, you start thinking too much.”

Adam Sandler stars as a lonely astronaut on a solo mission who befriends an alien spider in Spaceman.

Some people were not pleased when Netflix and other streaming platforms began making feature films. But in an industry in which smaller or medium films tend to be squeezed out in favor of big-budget fare, there’s a solid argument to be made that Netflix and others could help fill that niche. That certainly seems to be the case with Netflix’s forthcoming sci-fi film, Spaceman, judging by the official trailer. Adam Sandler stars as an astronaut who is not coping well with the isolation and disintegration of his marriage while on an eight-month solo mission and strikes up a friendship with a friendly alien space spider who wants to help him work through his emotional distress. Honestly, Netflix had us at friendly alien space spider.

(Some spoilers for the 2017 novel below.)

Directed by Johan Renck (Chernobyl, Breaking Bad), the film is based on the 2017 novel, Spaceman of Bohemia, by Jaroslav Kalfař. Kalfař has said he was inspired to write his novel after a childhood experience of becoming briefly separated from his grandfather while on a nighttime walk through the woods. The “perfect darkness, with nothing but the stars” made a strong impression, as did the silence and sense of loneliness. Spaceman of Bohemia started as a short story about an astronaut stranded in orbit as his wife filed for divorce and eventually became a novel that incorporated not just the theme of loneliness, but also Kalfař’s formative experiences growing up in the Czech Republic.

In the novel, a Czech astrophysicist named Jakub Procházka accepts a solo mission to collect samples from a strange dust cloud called Chopra, believed to have been created by a comet lurking between the Earth and Venus. He hopes the high-profile mission will make him a national hero and redeem the family name following his father’s membership in the Communist Party of Czechoslovakia. But it means leaving his pregnant wife, Lenka, back on Earth, who feels abandoned and decides to end their marriage. Jakub becomes depressed and starts drinking excessively. His sanity comes into question when he begins hearing voices and then starts seeing a giant talking alien spider around the shuttle. The two gradually bond. But is the spider real or a figment of Jakub’s imagination?

The Netflix adaptation looks like it will follow that basic plot pretty closely. Per the official premise:

Six months into a solitary research mission to the edge of the solar system, an astronaut, Jakub (Adam Sandler), realizes that the marriage he left behind might not be waiting for him when he returns to Earth. Desperate to fix things with his wife, Lenka (Carey Mulligan), he is helped by a mysterious creature from the beginning of time he finds hiding in the bowels of his ship. Hanuš (voiced by Paul Dano) works with Jakub to make sense of what went wrong before it is too late.

The cast also includes Isabella Rossellini as Jakub’s commanding officer. Kunal Nayyar as a technician named Peter, and Lena Olin as Zdena.

Spaceman drops on Netflix on March 1, 2024. It will make its world premiere a few weeks earlier at the 74th Berlin International Film Festival.

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It’s rebels vs Imperialist forces in Rebel Moon Part 2: The Scargiver trailer

She’s a rebel —

“Their nightmare is us fighting together to defend something we love.”

Prepare yourself for Zack Snyder’s Rebel Moon Part 2: The Scargiver.

Zack Snyder’s Rebel Moon Part 1: Child of Fire racked up an impressive 63 million views over its first ten days on Netflix, despite decidedly negative critical reviews. Now we’ve got the first full trailer for Rebel Moon Part 2: The Scargiver, continuing the saga of our intrepid heroine Kora (Sofia Boutella) and her plucky band of allies as they take on the imperialist Motherworld.

(Spoilers for Part 1 below.)

As we reported previously, years ago, director Zack Snyder had an idea for an epic Star Wars movie that he pitched to Lucasfilm. That project never panned out for a variety of reasons. But the idea continued to germinate until Netflix got on board. Apart from Star Wars, Snyder has said his influences include the films of Akira Kurosawa, especially Seven Samurai, and The Dirty Dozen. He has set his epic saga in a universe controlled by the ruthless and corrupt government of the Mother World (the Imperium) with an army led by one Regent Balisarius (Fra Fee). The rebel moon of the title is called Veldt.

The band of allies that Kora assembles in Part 1 includes a former Imperium general named Titus (Djimon Hounsou); her farmer friend Gunnar (Michiel Huisman); Tarak (Staz Nair), a blacksmith who can bond with animals to rally them to a fight; a cyborg sword master named Nemesis (Doona Bae); a warrior named Darrian Bloodaxe (Ray Fisher) and his sister Devra (Cleopatra Coleman); a spider warrior named Harmada (Jena Malone); and Jimmy, the last of a race of mechanical knights from a fallen kingdom, voiced by Anthony Hopkins. Ingvar Sigurdsson plays Kora’s friend Hagen, and Ed Skrein plays Admiral Atticus Noble, right hand to the tyrannical Regent.

In the climactic battle, both Darrian and Noble were killed, but Noble had an astral plane experience with Balisarius that somehow revived him. Noble’s new mission is to capture Kora alive and bring her to Balisarius, who longs to execute her himself. Snyder has said in interviews that the second film will delve a bit deeper into the histories and backstories of the main characters, which should help flesh them out a bit more (the thin characterization was a common criticism of Part 1). The official premise seems to confirm that:

Rebel Moon Part 2: The Scargiver continues the epic saga of Kora and the surviving warriors as they prepare to sacrifice everything, fighting alongside the brave people of Veldt, to defend a once peaceful village, a newfound homeland for those who have lost their own in the fight against the Motherworld. On the eve of their battle, the warriors must face the truths of their own pasts, each revealing why they fight. As the full force of the Realm bears down on the burgeoning rebellion, unbreakable bonds are forged, heroes emerge, and legends are made.

Much of the trailer focuses on the rebel villagers preparing for the big battle against the Realm: gathering weapons and ammunition, and training a formerly peace-loving people in the ways of combat. These scenes are offset by ominous shots of the Motherworld forces gathering its vastly superior military technology, equally determined to annihilate the rebellion. Although Jimmy tells Kora she must know they cannot win, she is determined. “Their nightmare is us fighting together to defend something we love,” she says.

Rebel Moon Part 2: The Scargiver drops on Netflix on April 19, 2024. We can also expect a director’s cut of Part 1 sometime in 2024, as well as a four-issue prequel comic expected this month, set five years before the events of Part 1, focusing on Devra and Darrian Bloodaxe. Also in development: a narrative podcast, an animated comic book, and an animated series telling the story of the Kai, all prequels.

Listing image by Netflix

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TV Technica 2023: These were our favorite shows and binges of the year

TV Technica 2023: These were our favorite shows and binges of the year

Aurich Lawson | Getty Images

Warning: Although we’ve done our best to avoid spoiling anything major, please note this list does include a few specific references to several of the listed shows that some might consider spoiler-y. The segment for The Great contains major reveals, so skip it if you haven’t watched the latest season. (We’ll give you a heads-up when we get there.)

Everything was coming up mystery in 2023, judging by our picks for Ars Technica’s annual list of the best TV shows of the year. There’s just something about the basic framework that seems to lend itself to television. Showrunners and studios have clearly concluded that genre mashups with a mystery at the center is a reliable winning formula, whether it’s combined with science fiction (Silo, Bodies, Pluto), horror (Fall of the House of Usher), or comedy (Only Murders in the Building, The Afterparty). And there’s clearly still plenty of room in the market for the classic police procedural (Dark Winds, Poker Face, Justified: City Primeval). Even many shows we loved that were not overt nods to the genre still had some kind of mystery at their core (Yellowjackets, Mrs. Davis), so one could argue it’s almost a universal narrative framework.

Streaming platforms continue to lead, with Netflix, Apple TV+, and FX/Hulu dominating this year’s list. But there are signs that the never-ending feast of new fare we’ve enjoyed for several years now might be leveling off a bit, as the Hollywood strikes took their toll and the inevitable reshuffling and consolidation continues. That would be great news for budgets strained by subscribing to multiple platforms, less so for those who have savored the explosion of sheer creativity during what might be remembered as a Golden Age of narrative storytelling on TV.

As always, we’re opting for an unranked list, with the exception of our “year’s best” vote at the very end, so you might look over the variety of genres and options and possibly add surprises to your eventual watchlist. We invite you to head to the comments and add your own favorite TV shows released in 2023.

The Last Kingdom (Netflix)

Netflix

I came late to the Netflix series The Last Kingdom, which is based on the historical fiction books by Bernard Cornwell and set amid the Viking invasions of Anglo-Saxon England during the time of King Alfred. The TV series was initially released in 2015 and technically wrapped up in March 2022. However, a movie to cap the series was released in April of this year, so it qualifies for our year-end list. I’m not sure why this television show has not gotten more attention because it is outstanding, both in bringing to life a fictionalized version of the turbulent late 800s and early 900s in proto-England and in its development of characters and friendships. If you liked Game of Thrones and are looking for something to watch before season 2 of House of the Dragon, The Last Kingdom should be your first choice.

Eric Berger

The Last of Us (HBO)

Pedro Pascal stars as Joel, who befriends Ellie (Bella Ramsey) during a zombie apocalypse.

Enlarge / Pedro Pascal stars as Joel, who befriends Ellie (Bella Ramsey) during a zombie apocalypse.

HBO

Given the hit-and-miss nature of adaptations from video games to the world of TV and film (with misses more plentiful than hits), I was more than a little apprehensive about HBO’s Last of Us series. It was remarkably easy to envision the TV adaptation ruining one of my favorite character-based narratives in all of gaming in order to create some sort of lowest-common-denominator zombie-of-the-week dreck. Instead, we got a loving and authentic take on the game.

HBO’s version of The Last of Us does a great job toeing the line between faithfulness to the source material and deviations that still feel authentic to the world of the game. Many of the key scenes are literally shot-for-shot and music-cue-for-music-cue live-action recreations of original Naughty Dog cut scenes, and it’s a testament to Naughty Dog’s cinematic skill that they’re just as effective in a new “prestige TV” context. But then there are new creations like the third episode, where supporting characters from the game are given surprising and heartwarming depth. Through it all, the surrogate parent-child relationship between Joel and Ellie shines through, driving the narrative and leading to one of the most arresting final scenes in gaming (and now, in a TV season).

There were relative narrative shortcomings in The Last of Us Part II, so I feel the showrunners have a bit of an uphill battle ahead of them in adapting future seasons for TV. But the care they took with season 1 gives me some confidence they’ll be able to thread the needle and make more compelling post-apocalyptic television going forward.

Kyle Orland

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Film Technica: Our favorite movies of 2023

Film Technica: Our favorite movies of 2023

Aurich Lawson | Getty Images

Warning: Although we’ve done our best to avoid spoiling anything too major, please note this list does include a few specific references to several of the listed films that some might consider spoiler-y.

It’s been an odd couple of years for film as the industry struggles to regain its footing in the wake of a devastating global pandemic, but there are reasons to be optimistic about its future, both from a box office and variety standpoint. This was the year that the blockbuster superhero franchises that have dominated for more than a decade finally showed signs of faltering; the Marvel and DC Universe releases this year were mostly fine, but only one (Spider-Man: Across the Spider-Verse) made our 2023 year-end list. There were just so many of them, one after the other, adding up to serious superhero fatigue.

We still love our blockbusters, of course. This was also the summer of “Barbenheimer,” as audiences flocked to theaters for the unlikely pairing of Barbie and Oppenheimer, breaking a few box office records in the process. It was also a good year for smaller niche fare—including two re-imaginings of Mary Shelley’s Frankenstein—as well as a new film from the legendary Martin Scorsese (Killers of the Flower Moon).

As always, we’re opting for an unranked list, with the exception of our “year’s best” vote at the very end, so you might look over the variety of genres and options and possibly add surprises to your eventual watchlist. We invite you to head to the comments and add your favorite films released in 2023.

D&D: Honor Among Thieves.” height=”426″ src=”https://cdn.arstechnica.net/wp-content/uploads/2023/03/dungeons1-640×426.jpg” width=”640″>

Enlarge / Chris Pine and Michelle Rodriguez star as Elgin (a bard) and Holga (a barbarian) in D&D: Honor Among Thieves.

Paramount Pictures

Dungeons & Dragons: Honor Among Thieves

Over two decades later, I am still a bit bitter about paying good money to see the 2000 Dungeons and Dragons movie with a group of friends on opening night. To this day, we’ll still parody Empress Savina dramatically proclaiming something along the lines of “I declare all people equal!” at the end of the movie (spoilers for a decades-old bad movie, I guess). Honor Among Thieves didn’t have a high bar to clear to wash the taste of that horrible adaptation out of my mouth. So it was nice to find that this new take on the D&D world leapt miles over that bar with a madcap, character-driven adventure that would be the envy of many a dungeon master.  

While Honor Among Thieves drops in a few references to familiar D&D items and creatures (hi, owlbears!), the movie wisely realizes that it can’t lean on those references to make an interesting movie. Instead, it uses D&D’s class system as the basis for some broad, trope-y characters to get thrown into an unlikely partnership. Chris Pine’s winning take on a bard is the driving force here, but Michelle Rodriguez’s barbarian and (an underutilized) Regé-Jean Page’s paladin steal plenty of scenes by really hewing true to their characters’ alignment chart.

The plot won’t win any awards for originality or surprise, but that character work and some well-paced action set pieces make this a thrilling family adventure, even for those who’ve never touched a D&D character sheet.

Kyle Orland

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The future of Arrakis is at stake in latest trailer for Dune: Part Two

“You are not prepared for what is to come” —

“This is a form of power that our world has not yet seen.”

Dune: Part Two is the next chapter in director Denis Villeneuve’s adaptation of Frank Herbert’s celebrated novel.

We didn’t get to see Dune: Part Two—the second film in director Denis Villeneuve’s stunning adaptation of Frank Herbert’s sci-fi classic—last month as originally planned since the film’s November release was delayed until next March due to the Hollywood strikes. But Warner Bros. doesn’t want us to completely forget about Dune in the meantime, so it dropped another trailer for the holiday season.

(Spoilers for Dune: Part One below.)

As reported previously (also here and here), Herbert’s novel Dune is set in the distant future and follows the fortunes of various noble houses in what amounts to a feudal interstellar society. Much of the action takes place on the planet Arrakis, where the economy is driven largely by a rare, life-extending drug called melange (“the spice”). Melange also conveys a kind of prescience and makes faster-than-light travel practical. There’s betrayal, a prophecy concerning a messianic figure, giant sandworms, and battle upon battle as protagonist Paul Atreides (Timothée Chalamet) contends with rival House Harkonnen and strives to defeat the forces of Shaddam IV, Emperor of the Known Universe.

Part One‘s finale left Paul and his mother, Lady Jessica (Rebecca Ferguson), presumed dead in the harsh desert of Arrakis, having fled their home when Baron Vladimir Harkonnen (Stellan Skarsgård) betrayed the Atreides family and killed Paul’s father, Leto (Oscar Isaac). They were taken in by the Fremen, the planet’s native inhabitants, who include Chani (Zendaya), a girl appearing in Paul’s dreams/visions.

All the surviving principles from Part 1 reprise their roles in Part 2: Chalamet, Zendaya, Ferguson, Skarsgård, Javier Bardem as Stilgar, Josh Brolin as Gurney Halleck, Dave Bautista as Glossu Rabban Harkonnen, Charlotte Rampling as the Reverend Mother Mohiam, and Stephen McKinley Henderson as Thufir Hawat. New cast members include Christopher Walken as Shaddam IV, emperor of House Corrine; Florence Pugh as his daughter, Princess Irulan; Austin Butler as Harkonnen’s younger nephew, Feyd-Rautha, the presumed heir on Arrakis; Lea Seydoux as Lady Margot, a Bene Gesserit who is close with the Emperor; and Souheila Yacoub as a Fremen warrior named Shishakli.

  • Love blooms between Paul and Chani in the midst of pending war.

    YouTube/Warner Bros.

  • Paul is having recurrent nightmares.

    YouTube/Warner Bros.

  • Christopher Walken plays Shaddam IV, Padishah Emperor of the Known Universe and head of House Corrino.

    YouTube/Warner Bros.

  • Feyd-Rautha Harkonnen does love his knives.

    YouTube/Warner Bros.

  • Florence Pugh plays the Emperor’s daughter, Princess Irulan.

    YouTube/Warner Bros.

  • Lady Jessica (Rebecca Ferguson), Paul’s mother.

    YouTube/Warner Bros.

  • “Silence!” Paul is starting to come into his power.

    YouTube/Warner Bros.

  • Beware of sandworms!

    YouTube/Warner Bros.

The first trailer dropped in May after being unveiled in an exclusive sneak peek during CinemaCon in Las Vegas. The highlight was a sequence showing Paul’s first ride on a sandworm. It’s a major rite of passage in Fremen culture, and the scene demonstrates that, in Part 2, Paul is well on his way to becoming Muad’Dib, prophet of the Fremen. A second trailer arrived in June, showing Paul offering to fight with the Fremen against their common enemy, though not everyone welcomes his inclusion. We also saw a reunion with Halleck; Shaddam IV learning that Paul is still alive; Feyd-Rautha’s lethal knife-fighting skills; and love blooming between Paul and Chani.

That love story is a major focus of this latest trailer after two that mostly highlighted the war for the future of Arrakis. The trailer opens with Paul having one of his recurring nightmares and Chani comforting him. He can only remember fragments but later tells Chani that he sees “possible futures all at once. And in so many futures, our enemies prevail.” He said, “There is a narrow way through.” Meanwhile, the Emperor orders assassins to “deal with this prophet.” One person who might get the job done is Feyd-Rautha, described as psychotic as we see him staring someone down while licking a sharp curved blade and brutally stabbing an opponent in an arena while a crowd cheers wildly.

There’s a fantastic battle scene involving Fremen warriors riding sandworms, and we catch a glimpse of the darker side of Paul when he screams “Silence!” after Mother Mohian asks him to carefully consider his planned course of action. Despite the war, he vows to love Chani “as long as I breathe.” She claims he will never lose her “as long as you stay who you are.” But fans of the books know that the romance has its complications, and given one new cast member in particular, we can expect to see the beginnings of those complications.

Dune: Part Two hits theaters on March 1, 2024.

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