gaming

how-to-port-any-n64-game-to-the-pc-in-record-time

How to port any N64 game to the PC in record time

Enlarge / “N-tel (64) Inside”

Aurich Lawson | Getty Images

In recent years, we’ve reported on multiple efforts to reverse-engineer Nintendo 64 games into fully decompiled, human-readable C code that can then become the basis for full-fledged PC ports. While the results can be impressive, the decompilation process can take years of painstaking manual effort, meaning only the most popular N64 games are likely to get the requisite attention from reverse engineers.

Now, a newly released tool promises to vastly reduce the amount of human effort needed to get basic PC ports of most (if not all) N64 games. The N64 Recompiled project uses a process known as static recompilation to automate huge swaths of the labor-intensive process of drawing C code out of N64 binaries.

While human coding work is still needed to smooth out the edges, project lead Mr-Wiseguy told Ars that his recompilation tool is “the difference between weeks of work and years of work” when it comes to making a PC version of a classic N64 title. And parallel work on a powerful N64 graphic renderer means PC-enabled upgrades like smoother frame rates, resolution upscaling, and widescreen aspect ratios can be added with little effort.

Inspiration hits

Mr-Wiseguy told Ars he got his start in the N64 coding space working on various mod projects around 2020. In 2022, he started contributing to the then-new RT64 renderer project, which grew out of work on a ray-traced Super Mario 64 port into a more generalized effort to clean up the notoriously tricky process of recreating N64 graphics accurately. While working on that project, Mr-Wiseguy said he stumbled across an existing project that automates the disassembly of NES games and another that emulates an old SGI compiler to aid in the decompilation of N64 titles.

YouTuber Nerrel lays out some of the benefits of Mr-Wiseguy’s N64 recompilation tool.

“I realized it would be really easy to hook up the RT64 renderer to a game if it could be run through a similar static recompilation process,” Mr-Wiseguy told Ars. “So I put together a proof of concept to run a really simple game and then the project grew from there until it could run some of the more complex games.”

A basic proof of concept for Mr-Wiseguy’s idea took only “a couple of weeks at most” to get up and running, he said, and was ready as far back as November of 2022. Since then, months of off-and-on work have gone into rounding out the conversion code and getting a recompiled version of The Legend of Zelda: Majora’s Mask ready for public consumption.

Trust the process

At its most basic level, the N64 recompilation tool takes a raw game binary (provided by the user) and reprocesses every single instruction directly and literally into corresponding C code. The N64’s MIPS instruction set has been pretty well-documented over years of emulation work, so figuring out how to translate each individual opcode to its C equivalent isn’t too much of a hassle.

Wave Race 64.” height=”360″ src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/recomprt2-640×360.png” width=”640″>

Enlarge / An early beta of the RT64 renderer shows how ray-tracing shadows and reflections might look in a port of Wave Race 64.

The main difficulty, Mr-Wiseguy said, can be figuring out where to point the tool. “The contents of the [N64] ROM can be laid out however the developer chose to do so, which means you have to find where code is in the ROM before you can even start the static recompilation process,” he explained. And while N64 emulators automatically handle games that load and unload code throughout memory at runtime, handling those cases in a pre-compiled binary can add extra layers of complexity.

How to port any N64 game to the PC in record time Read More »

sony-listing-hints-at-native,-upscaled-ps2-emulation-on-the-ps5

Sony listing hints at native, upscaled PS2 emulation on the PS5

Where’s Fantavision? —

Download promo promises “up-rendering, rewind, quick save, and custom video filters.”

Identical cousins.

Enlarge / Identical cousins.

Years ago, Sony started making a select handful of “PlayStation 2 Classics” available as emulated downloads on the PlayStation 4. Now, there are signs that certain PS2 games will be similarly available for native download on the PS5, complete with new features like “up-rendering, rewind, quick save, and custom video filters.”

The hint at Sony’s coming PS2 download plans comes via a new PlayStation Network listing for the 2002 release Star Wars: The Clone Wars, which recently appeared on tracking site PSDeals (as noticed by Gematsu). That site draws from unpublished data from the PSN servers, such as this thumbnail image that recently appeared on the playstation.com servers, and lists a planned June 11 release for the emulated Clone Wars port.

So far, this is nothing out of the ordinary. But near the bottom of the boilerplate, the listing notes that “this title has been converted from the PlayStation 2 version to the PlayStation 4 and PlayStation 5 consoles and provides newly added features [emphasis added].” That’s a marked difference from earlier “PS2 on PS4” downloadable releases, which only say that they were “converted from the original PlayStation 2 version to the PS4 system.”

A new emulator for a new generation

Previous PS2 games released as PlayStation Classics could be played on the PS5 via the newer system’s PS4 backward compatibility, of course. And those titles already looked relatively decent on modern displays thanks to near-HD upscaling at solid frame rates. But new “up-rendering” designed for the 4K-capable PS5 could make these aging 3D titles look even better on high-end TVs, even if low-resolution textures originally designed for 2000s-era CRTs may still look dated. And other new features like “rewind, quick save, and custom video filters” promise nice improvements over the relatively bare-bones PS2 emulation previously available on the PS4.

A look at Implicit Creations’ existing PS1 emulation efforts on the PS5.

Those same features (and modern additions like trophies) are also currently offered on select PS1 titles that have been available in native PS5 ports in recent months. That’s thanks to the work of Implicit Conversions, a retro-focused porting company that has recently been working with Sony to add PS1 support to its multi-platform Syrup Emulation Engine.

Implicit Conversions recently included the PS2 on a list of consoles supported by the Syrup Engine and said on LinkedIn that it is “working with clients to bring NES, PS1, PSP, and PS2 games to the PS4, PS5, Nintendo Switch, and Xbox [emphasis added].” In a March interview with Time Extension, the company said it “can’t deny or confirm anything about PS2 [emulation on PS5],” but the very familiar wording of this leaked Clone Wars listing certainly suggests the same company is behind this new PS2 porting effort as well.

Of course, the ability to download select PS2 games to the PS5 falls well short of many players’ dream of simply inserting and playing an existing PS2 disc on their newest Sony console. In 2018, though, hackers opened up the PlayStation Classics emulator and got it running generic PS2 games on the PS4 (compatibility is a bit hit or miss, however). That same emulator has also proven useful in helping hackers unlock some interesting exploits on the PS5. So who knows—the community may be able to hack-in wider PS5 support for PS2 game discs eventually.

Sony listing hints at native, upscaled PS2 emulation on the PS5 Read More »

game-dev-says-contract-barring-“subjective-negative-reviews”-was-a-mistake

Game dev says contract barring “subjective negative reviews” was a mistake

Be nice, or else —

Early streamers agreed not to “belittle the gameplay” or “make disparaging… comments.”

Artist's conception of NetEase using a legal contract to try to stop a wave of negative reviews of its closed alpha.

Enlarge / Artist’s conception of NetEase using a legal contract to try to stop a wave of negative reviews of its closed alpha.

NetEase

The developers of team-based shooter Marvel Rivals have apologized for a contract clause that made creators promise not to provide “subjective negative reviews of the game” in exchange for early access to a closed alpha test.

The controversial early access contract gained widespread attention over the weekend when streamer Brandon Larned shared a portion on social media. In the “non-disparagement” clause shared by Larned, creators who are provided with an early download code are asked not to “make any public statements or engage in discussions that are detrimental to the reputation of the game.” In addition to the “subjective negative review” example above, the clause also specifically prohibits “making disparaging or satirical comments about any game-related material” and “engaging in malicious comparisons with competitors or belittling the gameplay or differences of Marvel Rivals.”

Extremely disappointed in @MarvelRivals.

Multiple creators asked for key codes to gain access to the playtest and are asked to sign a contract.

The contract signs away your right to negatively review the game.

Many streamers have signed without reading just to play

Insanity. pic.twitter.com/c11BUDyka9

— Brandon Larned (@A_Seagull) May 12, 2024

In a Discord post noticed by PCGamesN over the weekend, Chinese developer NetEase apologized for what it called “inappropriate and misleading terms” in the contract. “Our stand is absolutely open for both suggestions and criticisms to improve our games, and… our mission is to make Marvel Rivals better [and] satisfy players by those constructive suggestions.”

In a follow-up posted to social media this morning, NetEase went on to “apologize for any unpleasant experiences or doubts caused by the miscommunication of these terms… We actively encourage Creators to share their honest thoughts, suggestions, and criticisms as they play. All feedback, positive and negative, ultimately helps us craft the best experience for ourselves and the players.” NetEase says it is making “adjustments” to the contract “to be less restrictive and more Creator-friendly.”

What can you say, and when can you say it?

Creators and press outlets (including Ars) routinely agree to embargoes or sign review and/or non-disclosure agreements to protect sensitive information about a game before its launch. Usually, these agreements are focused on when certain information and early opinions about a game can be shared. These kinds of timing restrictions can help a developer coordinate a game’s marketing rollout and also prevent early reviewers from having to rush through a game to get a lucrative “first review” up on the Internet.

Sometimes, companies use embargo agreements to urge or prevent reviewers from sharing certain gameplay elements or story spoilers until a game’s release in an effort to preserve a sense of surprise for the player base. There are also sometimes restrictions on how many and/or what kinds of screenshots or videos can be shared in early coverage for similar reasons. But restrictions on what specific opinions can be shared about a game are practically unheard of in these kinds of agreements.

Nearly a decade ago, Microsoft faced criticism for a partnership with a Machinima video marketing campaign that paid video commentators for featuring Xbox One game footage in their content. That program, which was aped by Electronic Arts at the time, restricted participants from saying “anything negative or disparaging about Machinima, Xbox One, or any of its games.”

In response to the controversy, Microsoft said that it was adding disclaimers to make it clear these videos were paid promotions and that it “was not aware of individual contracts Machinima had with their content providers as part of this promotion and we didn’t provide feedback on any of the videos…”

In 2017, Atlus threatened to use its copyright controls to take down videos that spoiled certain elements of Persona 5, even after the game’s release.

Game dev says contract barring “subjective negative reviews” was a mistake Read More »

cryptmaster-is-a-dark,-ridiculous-rpg-test-of-your-typing-and-guessing-skills

Cryptmaster is a dark, ridiculous RPG test of your typing and guessing skills

A different kind of text adventure —

Ask a necromancer to lick a shield. Type out “HIT,” “YELL,” “ZAP.” It’s funny.

Cryptmaster screenshot showing the player typing out

Enlarge / Sometimes you gotta get your nose in there to remember the distinct aroma of 1980s RPG classics.

Akupara Games

There are people who relish the feeling of finally nailing down a cryptic clue in a crossword. There are also people unduly aggravated by a puzzlemaster’s puns and clever deceptions. I’m more the latter kind. I don’t even play the crossword—or Wordle or Connections or Strands—but my wife does, and she’ll feed me clues. Without fail, they leave me in some strange state of being relieved to finally get it, yet also keyed up and irritated.

Cryptmaster, out now on Steam, GOG, and Itch.io for Windows, seems like the worst possible game for people like me, and yet I dig it. It is many things at once: a word-guessing game, a battle typing (or shouting) challenge, a party-of-four first-person grid-based dungeon crawler, and a text-prompt adventure, complete with an extremely goofy sense of humor. It’s also in stark black and white. You cannot fault this game for a lack of originality, even while it evokes Wizardry, Ultima Underground, and lots of other arrow-key-moving classics, albeit with an active tongue-in-cheek filter.

Cryptmaster announcement trailer.

The Cryptmaster in question has woken up four role-playing figures—fighter, rogue, bard, and wizard—to help him escape from his underground lair to the surface, for reasons that must be really keen and good. As corpses, you don’t remember any of your old skills, but you can guess them. What’s a four-letter action that a fighter might perform, or a three-letter wizard move? Every time you find a box or treasure, the Cryptmaster opens it, gives you a letter count, then lets you ask for clues. “SMELL,” you type, and he says it has that wonderful old-paper smell. “LOOK,” and he notes that there are writings and drawings on one side. Guess “SCROLL,” and he adds those letters to your characters’ next ability clues. Guess wrong, well, better luck next time.

  • Okay, so none of my characters can get really good prices through group buying, got it.

    Akupara Games

  • Gelatinous cubes, of course, but this one makes you think on the fly about which verbs you can use.

    Akupara Games

  • A lot of the characters in Cryptmaster are, well, characters.

    Akupara Games

  • In case you didn’t get enough word games from the main gameplay, there is a mini card game you can play with its own letters-and-words mechanics.

    Akupara Games

  • Uncovering more verbs reveals more of your dead characters’ past lives.

    Akupara Games

Once you’ve got a few verbs, you’ll want to learn them and figure out how they fit together, because you’ll have to fight some things. Combat is all about typing but also remembering your words and juggling cooldowns, attack, defense, and ability costs. Strike with your fighter, backstab with the rogue, fling a spell from the wizard, and have your bard reset the fighter’s cooldown, all while a baddie very slowly winds up and swings at random party members. Some fights can be avoided by maneuvering around them, but successful fights also let you choose another letter to potentially reveal new verbs. Apologies for the somewhat vague descriptions here, but I’m trying not to give away any words.

There are a few other mechanics to learn, like smashing wall-crawling bugs to gather their ability-powering essence, and defiling shrines to better suit your undead needs. But let’s talk about the Cryptmaster. Saying the character is “voiced” by the game’s writer and co-designer, Lee Williams, truly undersells it. As with some of the best adventure games, Williams and coder/designer/artist Paul Hart have anticipated so, so many things you might type in when prompted to guess, ask, or interact with their gloomy little world. Maybe there’s a point at which the Cryptmaster—a far more dour version of the HBO Cryptkeeper eternally disappointed in you—stops being surprising in his responses. I have yet to find it after a few hours of play. (How the team pulled off such a huge response range is detailed in an interview at Game Developer.)

Go ahead and recapture some of your childhood sense of wonder: Swear at the Cryptmaster. You won’t be disappointed.

You can play the game in turn-based mode, removing the pressure of remembering and typing out actions, but it’s not the recommended setting. While I played with only typing and relished the chance to give my mechanical keyboard a workout, you can also play with voice prompts. If you’re not sure if this is the kind of game for you, there’s a free demo on Steam that should clue you in.

Was that a pun? Maybe. Cryptmaster gave me a bit more appreciation for word-guessing games—the kind with enjoyments that are not easily, shall we say, spelled out.

Cryptmaster is a dark, ridiculous RPG test of your typing and guessing skills Read More »

manor-lords’-medieval-micromanagement-means-making-many-messes

Manor Lords’ medieval micromanagement means making many messes

This peaceful, pastoral scene actually represents a ton of hard work!

Enlarge / This peaceful, pastoral scene actually represents a ton of hard work!

Slavic Magic

Do you ever look around at modern civilization and boggle at the sheer complexity of it all? Do you ever think about the generations of backbreaking labor needed to turn acres and acres of untamed wilderness into the layers of interconnected systems needed to provide basic necessities—much less luxuries—to both early settlers and their generations of descendants?

All that infrastructure work is much harder to take for granted after playing Manor Lords. The Early Access version of the game—which netted a million Steam sales in its first 24 hours last month—forces you to do a lot of the heavy lifting that many other city builders tend to gloss over. And while there are still a lot of Early Access rough spots, what’s already there can make you appreciate just how hard it is to build a functioning society from nothing but raw materials and hard labor.

Let go of my hand

In many other city builders, you act as something of a detached, bureaucratic god. Lay down some roads, set aside some zoning, and watch as the microscopic masses automatically fill in the details of the housing, commerce, and industry needed to create a functional society.

Not so in Manor Lords, where micromanagement is essential to survival. The five starting families in your initial settlement must be specifically guided to their tasks, spreading themselves thin between farming, resource gathering, and construction before the harsh winter sets in. There’s no easy residential zoning here—you have to lay out the four corners of every individual “burgage plot” that will be used to house a single family.

Getting your settlement this thriving takes a lot of learning by doing.

Enlarge / Getting your settlement this thriving takes a lot of learning by doing.

Slavic Magic

Assigning settlers to their necessary tasks isn’t exactly a “set it and forget it” matter, either. You have to direct your hard-working families’ efforts to where they’re most needed, as the town’s requirements change with the seasons. This is especially true throughout that all-important first harvest season, where the meager stocks of bread you start don’t go nearly as far as you might like.

And don’t expect Manor Lords to hold your hand through a first tutorial run, either. The Early Access version decidedly does not instruct you on the basics of survival, throwing your settlers into an open clearing with minimal tooltip instructions for what you need to do. That means figuring out the correct mix of agriculture, mining, and construction needed for survival can be a matter of trial and error in the early going.

Learning the hard way

My first run at building a Manor Lords settlement ended in a disaster of harvest timing. After building my first field and farmhouse, I went multiple in-game months before realizing I had to specifically tell my settlers to start planting wheat for the coming harvest. By the time I forced a meager early harvest, my citizens were already going hungry, and I started over so I didn’t have to watch them slowly starve.

I started the planting earlier in my second run, but my meager group of settlers still started going hungry in the summer, months before the wheat would be ready to harvest. This time, I forced my citizens to tough it out through the lean months, building a windmill and a communal oven to be ready to make delicious bread when the time came. But when the harvest started, those buildings steadfastly refused to start processing the wheat and baking the food my citizens desperately needed.

I had to consult the Internet to figure out that my farm workers were mysteriously not threshing the gathered wheat so it could move down the bread production line. Forcing the farmers to focus their work on the farmhouse somehow shocked them out of this reverie, but not before the hungry citizens had tanked the approval level needed to help my settlement grow.

Manor Lords’ medieval micromanagement means making many messes Read More »

40-years-later,-kontrabant-2-for-zx-spectrum-is-rebroadcast-on-fm-in-slovenia

40 years later, Kontrabant 2 for ZX Spectrum is rebroadcast on FM in Slovenia

Cassettes are back, baby —

Celebrating radio waves, magnetic tape heads, and smuggled 8-bit computers.

Kontrabant 2 title image on ZX Spectrum

Enlarge / In 1984, the year 2000 was so promising, students made entire games promising to take you there.

Radio Student

Software is almost impossibly easy to download, distribute, and access compared to 40 years ago. Everything is bigger, faster, and more flexible, but there’s a certain charm to the ways of diskettes and cassettes that is hard to recapture. That doesn’t mean we can’t try.

By the time you read this, it’s likely that Kontrabant 2 will have already hit the airwaves on Radio Študent in Slovenia. At 9: 30 pm Slovenia time (UTC+2 in Daylight Savings Time), if you are tuned to 89.3 FM, hitting record on a cassette tape will capture a buzzing sound that will run until just over 50KB have been transmitted. If all went well, you can load the tape into your working ZX Spectrum or bring it to the Computer History Museum in Slovenia and use theirs to try it out.

<em>Kontrabant 2</em> box art.” height=”388″ src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/kontrabant3.jpg” width=”324″></img><figcaption>
<p><em>Kontrabant 2</em> box art.</p>
<p>Radio Student</p>
</figcaption></figure>
<p>It’s the 40th anniversary of <em>Kontrabant 2</em>, which was originally published by Radio Študent, both in physical copies and in similar over-the-air fashion. The game is in Serbian, as it was originally made for what was then Yugoslavia, for ZX Spectrums mostly smuggled in from Western Europe. Smuggling was something that lots of Yugoslavs did, in somewhat casual fashion, and it inspired <em>Kontrabant</em> and its sequel, text adventure games with some graphics.</p>
<p>That I understand any of this is thanks to Vlado Vince, a Croatian/Yugoslavia native who wrote about Yugoslavian adventure games for a Spanish magazine, Club de Aventuras AD, and <a href=reposted it on his personal site. Kontrabant, which is text-only, has the player travel about the country (“and beyond!”) to collect all the parts of a ZX Spectrum. You meet famous smugglers from Slovene history, get a picture of yourself so you can leave the country for certain parts, and at one point obtain an Austrian porn magazine, which, in typical adventure game style, is later traded for something else.

A Kontrabant 2.” height=”720″ src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/kontrabant1.png” width=”960″>

A “Yugosaurus” in Kontrabant 2.

Radio Student/Vlado Vince

Kontrabant 2, from 1984, added the kinds of garish colors and flashing graphics that ZX Spectrum enthusiasts can recognize from a hundred yards away. This time you’re trying “to make your way to the year 2000 and to the amazing computers of the future,” Vince writes, and the game layers in political and social subtext and critiques throughout the journey. Also, the original Radio Študent cassette tape version had punk rock songs by “the Kontra Band” on it, which is neat as heck.

Kontrabant and its sequel were written by Žiga Turk and Matevž Kmet, students at the time, who are talking about the games and the times at the Computer History Museum Slovenia today. If you have a chance to visit that place, I think you should do so, given the impressive number of working vintage computers listed. Turk would go on to found Moj mikro magazine, a monthly computer magazine running from 1984 to 2015. He started the Virtual Shareware Library, which later became shareware.com (now a Digital Trends site I don’t quite recognize), and WODA, the Web Oriented Database. He’s now a professor of construction informatics in Ljubljana, Slovenia.

You can play Kontrabant 2 on the Internet Archive’s emulator if you can read or translate Serbian and understand the text prompts. YouTube lacks a playthrough of the game with graphics, though a later port to a native platform, the Iskra Delta Partner, is available in Apple-II-ish green-on-black.

40 years later, Kontrabant 2 for ZX Spectrum is rebroadcast on FM in Slovenia Read More »

court-rules-against-activision-blizzard-in-$23.4m-patent-dispute

Court rules against Activision Blizzard in $23.4M patent dispute

pay up —

Activision plans appeal, says it uses different network tech in its games.

Acceleration Bay says <em>World of Warcraft</em>‘s networking code infringes on a patent originally filed by Boeing.” src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/wowcrowd-800×450.png”></img><figcaption>
<p><a data-height=Enlarge / Acceleration Bay says World of Warcraft‘s networking code infringes on a patent originally filed by Boeing.

Activision Blizzard

A jury has found Activision Blizzard liable for $23.4 million in damages in a patent infringement lawsuit first brought to court in 2015.

The case centers on patents first filed by Boeing in 2000, one that describes a “distributed game environment” across a host and multiple computers and another that describes a simple method for disconnecting from such a network. Those patents were acquired in 2015 by Acceleration Bay, which accused Activision Blizzard of using infringing technology to develop World of Warcraft and at least two Call of Duty titles.

Those accusations succeeded in court earlier this week, as a jury found a “preponderance of evidence” that the patents were infringed. The decision came following a one-week trial in which Activision Blizzard argued that its networking technology works differently from what is described in the patents, as reported by Reuters.

“While we are disappointed, we believe there is a strong basis for appeal,” an Activision Blizzard spokesperson said in a statement to the press. “We have never used the patented technologies at issue in our games.”

Acceleration Bay’s website describes it as an “incubator and investor” that wants to “nurture, protect, and support the dissemination of technological advancement.” But the company’s only currently listed venture is Edge Video, a “Web 3 Video Network” that provides crypto rewards and “AI-driven shopping” opportunities through interactive video overlays.

In a 2019 counterclaim stemming from a similar patent case (which was dismissed in 2020), Epic Games argued that “Acceleration engages in no business activity other than seeking to enforce the Asserted Patents.” Epic also said at the time that “Acceleration has asserted the same six patents against other major videogame publishers, even though Epic can see no applicability of the claimed technology to the videogame industry.”

Acceleration Bay has outstanding patent cases against Electronic Arts, Take-Two, and Amazon Web Services, among others.

In 2021, Activision Blizzard won a longstanding infringement suit brought by Worlds, Inc. over a patent for a “system and method for enabling users to interact in a virtual space.” In dismissing that case, US District Judge Denise J. Casper wrote that “client-server networks, virtual worlds, avatars, or position and orientation information are not inventions of Worlds” and that its patented technology was not “inherently inventive or sufficient to ‘transform’ the claimed abstract idea into a patent-eligible application.”

Court rules against Activision Blizzard in $23.4M patent dispute Read More »

microsoft-shuts-down-bethesda’s-hi-fi-rush,-redfall-studios

Microsoft shuts down Bethesda’s Hi-Fi Rush, Redfall studios

Closing up shop —

Xbox maker wants to “prioritiz[e] high-impact titles” according to letter to staff.

Artist's conception of Microsoft telling <em>Hi-Fi Rush</em> maker Tango Gameworks they no longer exist as a studio.” src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/hifirush-800×452.jpeg”></img><figcaption>
<p><a data-height=Enlarge / Artist’s conception of Microsoft telling Hi-Fi Rush maker Tango Gameworks they no longer exist as a studio.

Tango Gameworks

Microsoft is shutting down four studios within its Bethesda Softworks subsidiary, according to a staff email obtained by IGN. The closures include Redfall developer Arkane Austin and Hi-Fi Rush studio Tango Gameworks. While some team members will be reassigned to other parts of the company, head of Xbox Game Studios Matt Booty said in a letter to staffers “that some of our colleagues will be leaving us.”

Tango Gameworks confirmed in a short social media message that “Hi-Fi Rush, along with Tango’s previous titles [like The Evil Within], will remain available and playable everywhere they are today.” But the closure of Arkane Austin means that “development will not continue on Redfall,” the company wrote in its own social media update. “Arkane Lyon will continue their focus on immersive experiences where they are hard at work on their upcoming project [Marvel’s Blade].”

In his note to staff, Booty said that [Redfall] “will remain online for players to enjoy and we will provide make-good offers to players who purchased the Hero DLC.”

Mobile-focused Alpha Dog Studios announced that its shutdown would lead to an August 7 closure of the servers for Mighty Doom. Players can request a refund for any in-game currency for that game, which will no longer be sold as of today. Roundhouse Studios, which formed in 2019 to help with development of Redfall, will be absorbed into Elder Scrolls Online studio Zenimax Online, according to Booty’s letter.

Doom studio id Software, Starfield studio Bethesda Game Studios, and Indiana Jones and The Great Circle studio Machine Games seem unaffected by today’s cuts.

A change in focus

Redfall was widely considered a failure inside and outside Microsoft.” height=”360″ src=”https://cdn.arstechnica.net/wp-content/uploads/2024/05/redfall-640×360.jpg” width=”640″>

Enlarge / Arkane Austin’s Redfall was widely considered a failure inside and outside Microsoft.

Arkane Austin

Arkane Austin’s sad fate is not too surprising given that Booty has publicly admitted that Redfall‘s troubled 2023 release was “a miss” for the company. The Tango Gameworks shutdown is more of a shock though, considering that Xbox Marketing VP Aaron Greenberg called Hi-Fi Rush “a breakout hit for us and our players in all key measurements and expectations” less than a year ago. “We couldn’t be happier with what the team at Tango Gameworks delivered with this surprise release,” he wrote at the time.

In his letter to staffers, Booty said the closures were “not a reflection of the creativity and skill of the talented individuals at these teams or the risks they took to try new things.” And while the changes will be “disruptive,” Booty said that they are “grounded in prioritizing high-impact titles and further investing in Bethesda’s portfolio of blockbuster games and beloved worlds which you have nurtured over many decades.”

The consolidation will allow Microsoft to “invest more deeply in our portfolio of games and new IP” and “create capacity to increase investment in other parts of our portfolio and focus on our priority games,” Booty continued.

“This is absolutely terrible,” Arkane Lyon Co-Creative Director Dinga Bakaba wrote in a scathing social media thread. “Permission to be human: to any executive reading this, friendly reminder that video games are an entertainment/cultural industry, and your business as a corporation is to take care of your artists/entertainers and help them create value for you.”

The Bethesda studio closures come just a few months after Microsoft laid off 1,900 employees in its 22,000 employee gaming division following the completion of its long-sought merger with Activision Blizzard.

Microsoft shuts down Bethesda’s Hi-Fi Rush, Redfall studios Read More »

nintendo-pre-announces-a-switch-2-announcement-is-coming…-eventually

Nintendo pre-announces a Switch 2 announcement is coming… eventually

We’ll tell you later —

More info promised sometime before the end of March 2025.

Nintendo will eventually gift us Switch 2 information, hopefully in time for Christmas.

Enlarge / Nintendo will eventually gift us Switch 2 information, hopefully in time for Christmas.

Aurich Lawson

While the past few months have included plenty of informed speculation about the so-called Switch 2, Nintendo hasn’t given even a bare hint that the system is in the works. That changed at least somewhat last night, as Nintendo President Shinto Furukawa shared on social media that “we will make an announcement about the successor to Nintendo Switch within this fiscal year,” which ends on March 31, 2025.

In his pre-announcement announcement, Furukawa warned that an upcoming Nintendo Direct presentation planned for June would include “no mention of the Nintendo Switch successor,” suggesting more information may be coming closer to the end of the fiscal year than the beginning.

Furukawa notes that the eventual announcement will come over nine years after Nintendo first alluded to the Switch’s existence with the March 2015 announcement of a console then called “Project NX.” Nintendo didn’t show that hardware publicly until 19 months later, with a three-minute preview trailer that dropped in October 2016. Hands-on press previews for the Switch came three months after that, and we then had to wait almost two more months for the console to finally hit store shelves in March of 2017.

We probably won’t have to wait two years between the formal announcement and retail launch of the Switch 2, though; multiple reports have suggested that Nintendo is aiming for an early 2025 release for the updated hardware. The nearly eight-year gap between the launch of the Switch and its successors would mark a historically long wait for Nintendo home console hardware, which tends to see a refresh every five to six years. But Nintendo did wait nine years before following the original (and best-selling) Game Boy with the Game Boy Color.

Reports have suggested that select third-party developers have had access to the Switch 2 since the middle of last year and that Nintendo is holding off on the release to prepare a stronger launch lineup of first-party software. On that score, we’d like to point out that it has now been nearly seven years since the original announcement of Metroid Prime 4 (and over five years since Nintendo restarted development with a new studio).

The Switch 2 pre-announcement comes alongside the release of Nintendo’s latest financial results, in which Nintendo said it sold 15.7 million Nintendo Switch units in the 12-month period ending in March. That’s down quite a bit from the system’s peak sales in the 2020–2021 fiscal year, but it’s still a substantial sales performance for an aging system that has now passed 141 million total units sold since 2017. The overall numbers are closing in on the record currently held by the PS2 (155 million sales) and the Nintendo DS (154 million).

Nintendo pre-announces a Switch 2 announcement is coming… eventually Read More »

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Hackers discover how to reprogram NES Tetris from within the game

Building a better Tetris —

New method could help high-score chasers trying to avoid game-ending crashes.

I can see the code that controls the Tetri-verse!

Enlarge / I can see the code that controls the Tetri-verse!

Aurich Lawson

Earlier this year, we shared the story of how a classic NES Tetris player hit the game’s “kill screen” for the first time, activating a crash after an incredible 40-minute, 1,511-line performance. Now, some players are using that kill screen—and some complicated memory manipulation it enables—to code new behaviors into versions of Tetris running on unmodified hardware and cartridges.

We’ve covered similar “arbitrary code execution” glitches in games like Super Mario World, Paper Mario, and The Legend of Zelda: Ocarina of Time in the past. And the basic method for introducing outside code into NES Tetris has been publicly theorized since at least 2021 when players were investigating the game’s decompiled code (HydrantDude, who has gone deep on Tetris crashes in the past, also says the community has long had a privately known method for how to take full control of Tetris‘ RAM).

Displaced Gamers explains how to reprogram NES Tetris within the game.

But a recent video from Displaced Gamers takes the idea from private theory to public execution, going into painstaking detail on how to get NES Tetris to start reading the game’s high score tables as machine code instructions.

Fun with controller ports

Taking over a copy of NES Tetris is possible mostly due to the specific way the game crashes. Without going into too much detail, a crash in NES Tetris happens when the game’s score handler takes too long to calculate a new score between frames, which can happen after level 155. When this delay occurs, a portion of the control code gets interrupted by the new frame-writing routine, causing it to jump to an unintended portion of the game’s RAM to look for the next instruction.

Usually, this unexpected interrupt leads the code to jump to address the very beginning of RAM, where garbage data gets read as code and often leads to a quick crash. But players can manipulate this jump thanks to a little-known vagary in how Tetris handles potential inputs when running on the Japanese version of the console, the Famicom.

The Famicom expansion port that is key to making this hack work.

Enlarge / The Famicom expansion port that is key to making this hack work.

Unlike the American Nintendo Entertainment System, the Japanese Famicom featured two controllers hard-wired to the unit. Players who wanted to use third-party controllers could plug them in through an expansion port on the front of the system. The Tetris game code reads the inputs from this “extra” controller port, which can include two additional standard NES controllers through the use of an adapter (this is true even though the Famicom got a completely different version of Tetris from Bullet-Proof Software).

As it happens, the area of RAM that Tetris uses to process this extra controller input is also used for the memory location of that jump routine we discussed earlier. Thus, when that jump routine gets interrupted by a crash, that RAM will be holding data representing the buttons being pushed on those controllers. This gives players a potential way to control precisely where the game code goes after the crash is triggered.

Coding in the high-score table

For Displaced Gamers’ jump-control method, the player has to hold down “up” on the third controller and right, left, and down on the fourth controller (that latter combination requires some controller fiddling to allow for simultaneous left and right directional input). Doing so sends the jump code to an area of RAM that holds the names and scores for the game’s high score listing, giving an even larger surface of RAM that can be manipulated directly by the player.

By putting “(G” in the targeted portion of the B-Type high score table, we can force the game to jump to another area of the high score table, where it will start reading the names and scores sequentially as what Displaced Gamers calls “bare metal” code, with the letters and numbers representing opcodes for the NES CPU.

This very specific name and score combination is actually read as code in Displaced Gamers' proof of concept.

Enlarge / This very specific name and score combination is actually read as code in Displaced Gamers’ proof of concept.

Unfortunately, there are only 43 possible symbols that can be used in the name entry area and 10 different digits that can be part of a high score. That means only a small portion of the NES’s available opcode instructions can be “coded” into the high score table using the available attack surface.

Despite these restrictions, Displaced Gamers was able to code a short proof-of-concept code snippet that can be translated into high-score table data (A name of '))"-P)', and a second-place score of 8,575 in the A-Type game factors prominently, in case you’re wondering). This simple routine puts two zeroes in the top digits of the game’s score, lowering the score processing time that would otherwise cause a crash (though the score will eventually reach the “danger zone” for a crash again, with continued play).

Of course, the lack of a battery-backed save system means hackers need to achieve these high scores manually (and enter these complicated names) every time they power up Tetris on a stock NES. The limited space in the high score table also doesn’t leave much room for direct coding of complex programs on top of Tetris‘ actual code. But there are ways around this limitation; HydrantDude writes of a specific set of high-score names and numbers that “build[s] another bootstrapper which builds another bootstrapper that grants full control over all of RAM.”

With that kind of full control, a top-level player could theoretically recode NES Tetris to patch out the crash bugs altogether. That could be extremely helpful for players who are struggling to make it past level 255, where the game actually loops back to the tranquility of Level 0. In the meantime, I guess you could always just follow the lead of Super Mario World speedrunners and transform Tetris into Flappy Bird.

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Sony backs down, won’t enforce PSN accounts for Helldivers 2 PC players on Steam

Purge the stain of this failure with the peroxide of victory —

What will Sony do next for an audience that likes its games but not its network?

Updated

Helldivers 2 player aiming a laser reticule into a massive explosion.

Enlarge / Aiming a single rifle sight into an earth-moving explosion feels like some kind of metaphor for the Helldivers 2 delayed PSN requirement saga.

PlayStation/Arrowhead

Helldivers 2 PC players can continue doing their part for Super Earth, sans Sony logins.

Sony’s plan for its surprise hit co-op squad shooter—now the most successful launch in Sony’s nascent PC catalog—Helldivers 2, was to make its players sign in with PlayStation Network (PSN) accounts before it launched in early February, even if they purchased the game through the Steam store.

Sony and developer Arrowhead didn’t enforce PSN logins during its frenetic launch and then announced late last week that PSN accounts would soon be mandatory. Many players did not like that at all, seeing in it a sudden desire by Sony to capitalize on its unexpected smash hit. Some were not eager to engage with a network that had a notable hack in its history, others were concerned about countries where PSN was not offered, and many didn’t take Sony at its word that this was about griefing, banning, and other moderation. Because of the uneven availability of Steam and PSN, Helldivers 2 was delisted in 177 countries on Steam over the weekend as Steam worked through refund requests.

The pushback made an impression, and now Sony has announced that account linking “will not be moving forward.” In a post on X (formerly Twitter) Sunday night addressed to Helldivers fans, the official PlayStation account wrote that the publisher had “heard your feedback” and was “still learning what is best for PC players and your feedback has been invaluable.”

“Feedback,” in this case, likely included a long weekend of both PlayStation and Arrowhead hearing from a Helldivers fanbase that had previously been relatively sanguine and cohesive, at least for an online multiplayer shooter. Steam reviews of Helldivers 2 took a sad but predictable plummet downward, the game’s subreddit pivoted from cosigned enthusiasm to protest, and lots of people tied to the game spent a lot of time over the weekend trying to address the surge of negative social media.

Johan Pilestedt, CEO of Arrowhead Games Studio, after facetiously asking if now was the moment “to tweet ‘What? You guys don’t have phones?'”, posted on X early Sunday that his firm was “talking solutions with PlayStation, especially for non-PSN countries.” Responding to a reply that asked why he or his firm were “acting all blameless,” Pilestedt was candid. “I do have a part to play. I am not blameless in all of this – it was my decision to disable account linking at launch so that players could play the game. I did not ensure players were aware of the requirement and we didn’t talk about it enough,” Pilestedt wrote.

He added, ‘We knew for about 6 months before launch that it would be mandatory for online PS titles.” Asked why, if known for 6 months, the game was sold to countries without PSN available, he responded, “We do not handle selling the game.”

It will certainly be interesting to see what Sony does next with its success beyond consoles. Helldivers 2 is by far its most successful PC launch to date, and its seventh highest-grossing game overall. There’s a market there for the right kinds of games, but how Sony cultivates that market, and whether they’ll welcome Sony as anything beyond a publisher on Steam, remains to be seen.

The developer of Ghost of Tsushima, arriving soon on PC, made sure to note Friday on X/Twitter that a PSN account was only required for the multiplayer mode of the game, not the single-player adventure.

This post was update at 10: 41 a.m. to note prior international delistings, and Sony’s clarification about PSN requirements for an upcoming game.

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Sony demands PSN accounts for Helldivers 2 PC players, and it’s not going well

What fresh Helldivers is this —

A surprise hit, a network with brutal baggage, and the Steam profit paradox.

Helldivers 2 player posing in winter armor

Enlarge / This gear is from the upcoming “Polar Patriots” Premium Warbond in Helldivers 2. It’s an upcoming change the developer and publisher likely wish was getting more attention of late.

Sony Interactive Entertainment

There’s a lot of stories about the modern PC gaming industry balled up inside one recent “update” to Helldivers 2.

Sony Interactive Entertainment announced Thursday night that current players of the runaway hit co-op shooter will have to connect their Steam accounts to a PlayStation Network (PSN) account starting on May 30, with a hard deadline of June 4. New players will be required to connect the two starting Monday, May 6.

Officially, this is happening because of the “safety and security provided on PlayStation and PlayStation Studios games.” Account linking allows Sony to ban abusive players, and also gives banned players the right to appeal. Sony writes that it would have done this at launch, but “Due to technical issues … we allowed the linking requirements for Steam accounts to a PlayStation Network account to be temporarily optional. That grace period will now expire.”

“We understand that while this may be an inconvenience to some of you, this step will help us to continue to build a community that you are all proud to be a part of,” Sony writes in the update. The Helldivers community on Reddit is flush with dissenting posts today, and Steam reviews of the game have taken a marked turn since the announcement.

Sony Interactive Entertainment

Oh, right, that PlayStation Network

It’s the combination of “safety and security” and “Sony” that make this more than just the typical grousing about game launchers, cross-play, or other user/password demands. The PlayStation Network was fully and famously hacked in April 2011, with 77 million users’ names, addresses, emails, birthdays, passwords, and logins compromised. Sony Online Entertainment also suffered a separate attack while PSN was down, exposing millions more accounts and thousands of credit card numbers. PSN came partially back online 26 days later, then fully online two weeks later, with a complimentary year of identity protection and Welcome Back packages for subscribers. Less than a month later, other aspects of Sony were hacked by LulzSec.

Sony was fined nearly $400,000 in the UK for the hack in 2013, which regulators said could have been prevented by updating software and taking precautions. Sony agreed to pay up to $17.5 million in a US class-action settlement in 2014, along with some providing free games and other benefits in 2015.

Those with a long enough memory of computers, security, and Sony might also recall the Sony rootkit debacle, which, while nearly 20 years old now, was such a notably bad and bizarre thing that it stuck around.

Sony Interactive Entertainment

An online game people want less online

Helldivers 2 was not supposed to be this big a game. Sony was still cautiously trodding into PC games after years of treating its exclusive and first-party games as console leverage. Helldivers 2 was a sequel to a game that, while well-regarded, didn’t land as a smash hit.

Within one day of its launch, Helldivers 2 was Sony’s most successful PC launch, and it wasn’t even close. Within two weeks, it passed the all-time concurrent player counts of Starfield, Destiny 2, landing at 18 on the SteamDB charts. It helped that it launched on the same day as the PS5 version, was cheaper than most AAA titles, and arrived with no (uncommonly) egregious performance or crash issues. There were, as noted by Sony, early server issues, largely due to demand. Whatever the case, it was Sony’s seventh highest-grossing game as of May 1.

That success hurts the optics of Sony’s demand, months after it had an unexpected hit, that players must now register with its far-from-trusted network to keep playing. A non-mega-budgeted game, a trial-balloon sequel, hits big, and Sony, finding its footing in this new realm, doesn’t want to leave said opportunity as a one-time Steam purchase.

Sony Interactive Entertainment

Two blimps jousting overhead

Helldivers 2 is explicitly multiplayer, and the action takes place on Sony’s servers. But Steam is the means by which Helldivers 2 reaches its players, fosters engagement, and, of course, tries to entice them into DLC, further sequels, and perhaps other Sony PC games—so long as they’re on also on Steam.

There are no rock-solid numbers on Steam’s PC gaming market share, but we know that the biggest competitor, Epic Games, is losing hundreds of millions of dollars each year giving away games just to get some kind of foothold. Steam’s market position, recommendation whims, and broad 30 percent revenue cut have left many companies searching for ways to disentangle their futures from a single platform. Sony just happens to be the one making the hard ask, for reasons that don’t entirely sound obvious months later, and with a network that has some tough Google search results.

It’s worth noting that PSN is not necessarily available in all countries where Steam sells games. We’ve reached out to Sony to ask about this and for further comment on their PSN requirement, and will update this post if we hear back.

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