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gog-revamps-its-“dreamlist”-feature-to-better-pry-old-games-out-of-publishers

GOG revamps its “Dreamlist” feature to better pry old games out of publishers

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Black & White was intriguing; it had classic Molyneaux over-reach and deserves, in the words of one Ars staffer, a re-release so that “a new generation can realize just how janky it is.” As detailed in a documentary by Noclip, the B&W games are stuck in publishing purgatory. Microsoft acquired Lionhead’s IP and assets, while Electronic Arts retains the publishing rights to the B&W games, and nobody has yet been able to align those two very large planets.

GOG has added its own “Our Pick” tag to games it wants to see brought forward onto modern systems. Among them is Freelancer, which Ars’ Samuel Axon described in our 2024 roundup of non-2024 games as “a sincere attempt to make games like Elite (Dangerous) and Wing Commander: Privateer far more accessible.” GOG selected Freelancer as one of its staff picks for the Dreamlist, citing its “dynamic economy and engaging storyline.”

The main thing GOG would be fixing with Freelancer, as with many games, would be simple availability, as the game is not available on any proper digital storefront. Axon reports that, in having an original disc, installing Freelancer was not too hard, with the installer working in Windows 11. You can apply community patches, like an “HD Edition” mod, but Axon preferred playing at a non-native resolution (1024×768) at 4:3 and adjusting his monitor.

Other notable games GOG and its voting public want to see brought back are Final Fantasy VII (the original, not the remake), the point-and-click Discworld adventure, Command & Conquer: The Ultimate Collection, and The Operative: No One Lives Forever.

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Blizzard’s pulling of Warcraft I & II tests GOG’s new Preservation Program

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GOG’s version goes a bit beyond the classic versions that were on sale on Blizzard.net. Beyond the broad promise that “this is the best version of this game you can buy on any PC platform,” GOG has made specific tweaks to the networking code for Warcraft I and fixed up the DirectX wrapper for Warcraft II to improve its scaling on modern monitor resolutions.

It’s quite a novel commitment, keeping non-revenue-generating games playable for buyers, even after a publisher no longer makes them available for sale. The Warcraft titles certainly won’t be the only games for which publisher enthusiasm lags behind GOG and its classic gamers.

As noted at the Preservation Program’s launch, for some titles, GOG does not have the rights to modify a game’s build, and only its original developers can do so. So if GOG can’t make it work in, say, DOSBox, extraordinary efforts may be required.

A screenshot from Blizzard's Warcraft II: Remastered release, showing brick keeps, archers, footsoldiers, dragons around a roost, and knights on horseback units.

Warcraft II: Remastered lets you switch back and forth between classic and remastered graphics and promises to offer better support for widescreen monitors and more units selected at once.

Credit: Blizzard

Warcraft II: Remastered lets you switch back and forth between classic and remastered graphics and promises to offer better support for widescreen monitors and more units selected at once. Credit: Blizzard

Beyond being tied to Blizzard’s Battle.net service in perpetuity, there are other reasons Warcraft fans might want to hold onto the originals. Blizzard’s 2020 release of Warcraft III Reforged was widely panned as uneven, unfinished, and in some ways unfair, as it, too, removed the original Warcraft III from stores. Reforged was still in rough shape a year later, leading Ars’ list of 2020’s most disappointing games. A 2.0 update promised a total reboot, but fans remain torn on the new art styles and are somewhat wary.

Then again, you can now select more units in the first two Warcraft games’ remasters, and you get “numerous visual updates for the UI.”

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GOG’s Preservation Program is the DRM-free store refocusing on the classics

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The classic PC games market is “in a sorry state,” according to DRM-free and classic-minded storefront GOG. Small games that aren’t currently selling get abandoned, and compatibility issues arise as technology moves forward or as one-off development ideas age like milk.

Classic games are only 20 percent of GOG’s catalog, and the firm hasn’t actually called itself “Good Old Games” in 12 years. And yet, today, GOG announces that it is making “a significant commitment of resources” toward a new GOG Preservation Program. It starts with 100 games for which GOG’s own developers are working to create current and future compatibility, keeping them DRM-free and giving them ongoing tech support, along with granting them a “Good Old Game: Preserved by GOG” stamp.

Selection of games available in GOG's

Credit: GOG

GOG is not shifting its mission of providing a DRM-free alternative to Steam, Epic, and other PC storefronts, at least not entirely. But it is demonstrably excited about a new focus that ties back to its original name, inspired in some part by its work on Alpha Protocol.

“We think we can significantly impact the classics industry by focusing our resources on it and creating superior products,” writes Arthur Dejardin, head of sales and marketing at GOG. “If we wanted to spread the DRM-free gospel by focusing on getting new AAA games on GOG instead, we would make little progress with the same amount of effort and money (we’ve been trying various versions of that for the last 5 years).”

GOG Preservation Program’s launch video.

Getting knights, demons, and zombies up to snuff

What kind of games? Scanning the list of Good Old Games, most of them are, by all accounts, both good and old. Personally, I’m glad to see the Jagged Alliance games, System Shock 2, Warcraft I & II, Dungeon Keeper Gold and Theme Park, SimCity 3000 Unlimited, and the Wing Commander series (particularly, personally, Privateer). Most of them are, understandably, Windows-only, though Mac support extends to 34 titles so far, and Linux may pick up many more through Proton compatibility beyond the 19 native titles to date.

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Fallout: London is a huge Fallout 4 mod that is now playable—and worth playing

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The UK equivalent of a Pip-Boy 3000, which is nice to see after so many hours with the wrist-mounted one. Team FOLON

‘Ello, what’s all this, then?

Fallout: London takes place 160 years after the global nuclear war, 40 years before Fallout 3, and in a part of the world that is both remote and didn’t really have official Fallout lore. That means a lot of the typical Fallout fare—Deathclaws, Super Mutants, the Pip-Boy 3000—is left out.

Or, rather, replaced with scores of new enemies, lore, companions, factions, and even some mechanics picked up from the modding scene (ladders!). It’s a kick to see the across-the-pond variants of wasteland stuff: tinned beans, medieval weapons, the Atta-Boy personal computer. There is at least one dog, a bulldog, and his name is Churchill.

As for the story, stop me if you’ve heard this one before: You, newly awakened from an underground chamber (not a Vault, though), enter a ruined London, one riven by factions with deep disagreements about how to move things forward. You’ll take up quests, pick sides, befriend or blast people, and do a lot of peeking into abandoned buildings, hoping to find that last screw you need for a shotgun modification.

London falling

When you first start Fallout: London, you’ll see a London that looks like, honestly, crap. Whatever London did to anger the nuke-having powers of the world, it got them good and mad, and parts of the city are very busted. The city’s disposition to underground spaces has done it well, though, and you can often find yesteryear’s glory in a Tube tunnel, a bunker, or a basement.

As you move on, you’ll get the surge of seeing a part of London you remember, either from a visit or from media, and how it looks with a bit of char to it. The post-war inhabitants have also made their own spaces inside the ruins, some more sophisticated and welcoming than others. Everywhere you look, you can see that familiar Fallout aesthetic—1950s atomic-minded culture persisting until its downfall—shifted into Greenwich Mean Time.

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