Smithsonian

Texas politicians warn Smithsonian it must not lobby to retain its space shuttle

Anti-Lobbying Act, Board of Regents, Bring the Space Shutle Home Act, Chancellor, Chantilly, congress, discovery, internal invesigation, John Corbyn, John Roberts, National Air and Space Museum, One Big Beautiful Bill, Randy Weber, representative, senator, Smithsonian, Space, space center houston, Space exploration, space history, Space shuttle, Steven F. Udvar-Hazy Center, texas, Virginia / 9u50fv / August 8, 2025

(Oddly, Cornyn and Weber’s letter to Roberts described the law as requiring Duffy “to transfer a space vehicle involved in the Commercial Crew Program” rather than choosing a destination NASA center related to the same, as the bill actually reads. Taken as written, if that was indeed their intent, Discovery and the other retired shuttles would be exempt, as the winged orbiters were never part of that program. A request for clarification sent to both Congress members’ offices was not immediately answered.)

two men in business suits sit front of a large model of a space shuttle — Sen. John Cornyn (R-TX, at right) sits in front of a model of Space Shuttle *Discovery* at Space Center Houston, where they want to move the real orbiter. Credit: collectSPACE.com

In the letter, Cornyn and Weber cited the Anti-Lobbying Act as restricting the use of funds provided by the federal government to “influence members of the public to pressure Congress regarding legislation or appropriations matters.”

“As the Smithsonian Institution receives annual appropriations from Congress, it is subject to the restrictions imposed by this statute,” they wrote.

The money that Congress allocates to the Smithsonian accounts for about two-thirds of the Institution’s annual budget, primarily covering federal staff salaries, collections care, facilities maintenance, and the construction and revitalization of the buildings that house the Smithsonian’s 21 museums and other centers.

Pols want Smithsonian to stay mum

As evidence of the Smithsonian’s alleged wrongdoing, Cornyn and Weber cited a July 11 article by Zach Vasile for Flying Magazine, which ran under the headline “Smithsonian Pushing Back on Plans to Relocate Space Shuttle.” Vasile quoted from a message the Institution sent to Congress saying that there was no precedent for removing an object from its collection to send it elsewhere.

The Texas officials wrote that the anti-lobbying restrictions apply to “staff time or public relations resources” and claimed that the Smithsonian’s actions did not fall under the law’s exemptions, including “public speeches, incidental expenditures for public education or communications, or activities unrelated to legislation or appropriations.”

Cornyn and Weber urged Roberts, as the head of the Smithsonian’s Board of Regents, to “conduct a comprehensive internal review” as it applied to how the institution responded to the One Big Beautiful Bill Act.

“Should the review reveal that appropriated funds were used in a manner inconsistent with the prohibitions outlined in the Anti-Lobbying Act, we respectfully request that immediate and appropriate corrective measures be implemented to ensure the Institution’s full compliance with all applicable statutory and ethical obligations,” Cornyn and Weber wrote.

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Houston, you’ve got a space shuttle… only NASA won’t say which one

acting administrator, Bring the Space Shutle Home Act, Chantilly, discovery, John Corbyn, NASA, National Air and Space Museum, One Big Beautiful Bill, Sean Duffy, senators, Smithsonian, Space, space center houston, Space exploration, space history, Space shuttle, Steven F. Udvar-Hazy Center, ted cruz, texas, Virginia / Kelly Newman / August 6, 2025

An orbiter by any other name…

“The acting administrator has made an identification.”

Don’t say Discovery: Acting NASA Administrator Sean Duffy has decided to send a retired space shuttle to Houston, but won’t say which one. Credit: Smithsonian/collectSPACE.com

The head of NASA has decided to move one of the agency’s retired space shuttles to Houston, but which one seems to still be up in the air.

Senator John Cornyn (R-Texas), who earlier this year introduced and championed an effort to relocate the space shuttle Discovery from the Smithsonian to Space Center Houston, issued a statement on Tuesday evening (August 5) applauding the decision by acting NASA Administrator Sean Duffy.

“There is no better place for one of NASA’s space shuttles to be displayed than Space City,” said Cornyn in the statement. “Since the inception of our nation’s human space exploration program, Houston has been at the center of our most historic achievements, from training the best and brightest to voyage into the great unknown to putting the first man on the moon.”

Keeping the shuttle a secret, for some reason

The senator did not state which of NASA’s winged orbiters would be making the move. The legislation that required Duffy to choose a “space vehicle” that had “flown in space” and “carried people” did not specify an orbiter by name, but the language in the “One Big Beautiful Bill” that President Donald Trump signed into law last month was inspired by Cornyn and fellow Texas Senator Ted Cruz’s bill to relocate Discovery.

“The acting administrator has made an identification. We have no further public statement at this time,” said a spokesperson for Duffy in response to an inquiry.

a man with gray hair and pale complexion wears a gray suit and red tie while sitting at a table under a red, white and blue NASA logo on the wall behind him

NASA’s acting administrator, Sean Duffy, identified a retired NASA space shuttle to be moved to “a non-profit near the Johnson Space Center” in Houston, Texas, on Aug. 5, 2025. Credit: NASA/Bill Ingalls

It is not clear why the choice of orbiters is being held a secret. According to the bill, the decision was to be made “with the concurrence of an entity designated” by the NASA administrator to display the shuttle. Cornyn’s release only confirmed that Duffy had identified the location to be “a non-profit near the Johnson Space Center (JSC).”

Space Center Houston is owned by the Manned Space Flight Education Foundation, a 501(c)3 organization, and is the official visitor’s center for NASA’s Johnson Space Center.

“We continue to work on the basis that the shuttle identified is Discovery and proceed with our preparations for its arrival and providing it a world-class home,” Keesha Bullock, interim COO and chief communications and marketing officer at Space Center Houston, said in a statement.

Orbiter owners

Another possible reason for the hesitation to name an orbiter may be NASA’s ability, or rather inability, to identify one of its three remaining space-flown shuttles that is available to be moved.

NASA transferred the title for space shuttle Endeavour to the California Science Center in Los Angeles in 2012, and as such it is no longer US government property. (The science center is a public-private partnership between the state of California and the California Science Center Foundation.)

NASA still owns space shuttle Atlantis and displays it at its own Kennedy Space Center Visitor Complex in Florida.

Discovery, the fleet leader and “vehicle of record,” was the focus of Cornyn and Cruz’s original “Bring the Space Shuttle Home Act.” The senators said they chose Discovery because it was “the only shuttle still owned by the federal government and able to be transferred to Houston.”

For the past 13 years, Discovery has been on public display at the Steven F. Udvar-Hazy Center in Chantilly, Virginia, the annex for the Smithsonian’s National Air and Space Museum in Washington, DC. As with Endeavour, NASA signed over title upon the orbiter’s arrival at its new home.

As such, Smithsonian officials are clear: Discovery is no longer NASA’s to have or to move.

“The Smithsonian Institution owns the Discovery and holds it in trust for the American public,” read a statement from the National Air and Space Museum issued before Duffy made his decision. “In 2012, NASA transferred ‘all rights, title, interest and ownership’ of the shuttle to the Smithsonian.”

The Smithsonian operates as a trust instrumentality of the United States and is partially funded by Congress, but it is not part of any of the three branches of the federal government.

“The Smithsonian is treated as a federal agency for lots of things to do with federal regulations and state action, but that’s very different than being an agency of the executive branch, which it most certainly is not,” Nick O’Donnell, an attorney who specializes in legal issues in the museum and visual arts communities and co-chairs the Art, Cultural Property, and Heritage Law Committee of the International Bar Association, said in an interview.

a space shuttle orbiter sits at the center of a hangar on display — The Smithsonian has displayed the space shuttle *Discovery* at the National Air and Space Museum’s Steven F. Udvar-Hazy Center in Chantilly, Virginia, since April 2012. Credit: Smithsonian National Air and Space Museum

“If there’s a document that accompanied the transfer of the space shuttle, especially if it says something like, ‘all rights, title, and interest,’ that’s a property transfer, and that’s it,” O’Donnell said.

“NASA has decided to transfer all rights, interest, title, and ownership of Discovery to the Smithsonian Institution’s National Air and Space Museum,” reads the signed transfer of ownership for space shuttle orbiter Discovery (OV-103), according to a copy of the paperwork obtained by collectSPACE.

The Congressional Research Service also raised the issue of ownership in its paper, “Transfer of a Space Vehicle: Issues for Congress.”

“The ability of the NASA Administrator to direct transfer of objects owned by non-NASA entities—including the Smithsonian and private organizations—is unclear and may be subject to question. This may, in turn, limit the range of space vehicles that may be eligible for transfer under this provision.”

Defending Discovery

The National Air and Space Museum also raised concerns about the safety of relocating the space shuttle now. The One Big Beautiful Bill allocated $85 million to transport the orbiter and construct a facility to display it. The Smithsonian contends it could be much more costly.

“Removing Discovery from the Udvar-Hazy Center and transporting it to another location would be very complicated and expensive, and likely result in irreparable damage to the shuttle and its components,” the museum’s staff said in a statement. “The orbiter is a fragile object and must be handled according to the standards and equipment NASA used to move it originally, which exceeds typical museum transport protocols.”

“Given its age and condition, Discovery is at even greater risk today. The Smithsonian employs world-class preservation and conservation methods, and maintaining Discovery‘s current conditions is critical to its long-term future,” the museum’s statement concluded.

The law directs NASA to transfer the space shuttle (the identified space vehicle) to Space Center Houston (the entity designated by the NASA administrator) within 18 months of the bill’s enactment, or January 4, 2027.

In the interim, an amendment to block funding the move is awaiting a vote by the full House of Representatives when its members return from summer recess in September.

“The forced removal and relocation of the Space Shuttle Discovery from the Smithsonian Institution’s Air and Space Museum is inappropriate, wasteful, and wrong. Neither the Smithsonian nor American taxpayers should be forced to spend hundreds of millions of dollars on this misguided effort,” said Rep. Joe Morelle (D-NY), who introduced the amendment.

A grassroots campaign, KeepTheShutle.org, has also raised objection to removing Discovery from the Smithsonian.

Perhaps the best thing the Smithsonian can do—if indeed it is NASA’s intention to take Discovery—is nothing at all, says O’Donnell.

“I would say the Smithsonian’s recourse is to keep the shuttle exactly where it is. It’s the federal government that has no recourse to take it,” O’Donnell said. “The space shuttle [Discovery] is the Smithsonian’s, and any law that suggests the intention to take it violates the Fifth Amendment on its face—the government cannot take private property.”

Robert Pearlman is a space historian, journalist and the founder and editor of collectSPACE, a daily news publication and online community focused on where space exploration intersects with pop culture. He is also a contributing writer for Space.com and co-author of “Space Stations: The Art, Science, and Reality of Working in Space” published by Smithsonian Books in 2018. He is on the leadership board for For All Moonkind and is a member of the American Astronautical Society’s history committee.

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Smithsonian Air and Space opens halls for “milestone” and “future” artifacts

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$900M renovation nearing completion

John Glenn’s Friendship 7 returns as SpaceX and Blue Origin artifacts debut.

“Futures in Space” recaptures the experience of the early visitors to the National Air and Space Museum, where the objects on display were contemporary to the day. A mockup of a Blue Origin New Shepard capsule and SpaceX Merlin rocket engine are among the items on display for the first time. Credit: Smithsonian National Air and Space Museum

The National Air and Space Museum welcomed the public into five more of its renovated galleries on Monday, including two showcasing spaceflight artifacts. The new exhibitions shine modern light on returning displays and restore the museum’s almost 50-year-old legacy of adding objects that made history but have yet to become historical.

Visitors can again enter through the “Boeing Milestones of Flight Hall,” which has been closed for the past three years and has on display some of the museum’s most iconic items, including John Glenn’s Friendship 7 Mercury capsule and an Apollo lunar module.

From there, visitors can tour through the adjacent “Futures in Space,” a new gallery focused on the different approaches and technology that spaceflight will take in the years to come. Here, the Smithsonian is displaying for the first time objects that were recently donated by commercial spaceflight companies, including items used in space tourism and in growing the low-Earth orbit economy.

a museum gallery with air and spacecraft displayed on the terrazzo floor and suspended from the ceiling — The artifacts are iconic, but the newly reopened Boeing Milestones of Flight Hall at the National Air and Space Museum is all new. Credit: Smithsonian National Air and Space Museum

“We are thrilled to open this next phase of exhibitions to the public,” said Chris Browne, the John and Adrienne Mars Director of the National Air and Space Museum, in a statement. “Reopening our main hall with so many iconic aerospace artifacts, as well as completely new exhibitions, will give visitors much more to see and enjoy.”

The other three galleries newly open to the public are devoted to aviation history, including the “Barron Hilton Pioneers of Flight,” “World War I: The Birth of Military Aviation,” and the “Allan and Shelley Holt Innovations Gallery.”

What’s new is not yet old

Among the artifacts debuting in “Futures in Space” are a Merlin engine and grid fin that flew on a SpaceX Falcon 9 rocket, Sian Proctor’s pressure suit that she wore on the private Inspiration4 mission in 2021, and a mockup of a New Shepard crew module that Blue Origin has pledged to replace with its first flown capsule when it is retired from flying.

“When the museum first opened back in 1976 and people came here and saw things like the Apollo command module and Neil Armstrong’s spacesuit, or really anything related to human spaceflight, at that point it was all still very recent,” said Matt Shindell, one of the curators behind “Futures in Space,” in an interview with collectSPACE.com. “So when you would come into the museum, it wasn’t so much a history of space but what’s happening now and what could happen next. We wanted to have a gallery that would recapture that feeling.”

Instead of being themed around a single program or period in history, the new gallery invites visitors to consider a series of questions, including: Who decides who goes to space? Why do we go? And what will we do when we get there?

a black and white astronaut's pressure suit and other space artifacts are displayed behind glass in a museum gallery with blue flooring and walls — Curatores designed “Futures in Space” around a list of questions, including “Why go to space?” On display is a pressure suit worn by Sian Proctor on the Inspiration4 mission and a 1978 NASA astronaut “TFNG” T-shirt. Credit: Smithsonian National Air and Space Museum

“We really wanted the gallery to be one that engaged visitors in these questions and that centered the experience around what they thought should be happening in the future and what that would mean for them,” said Shindell. “We also have visions of the future presented throughout the gallery, including from popular culture—television shows, movies and comic books—that have explored what the future might look like and what it would mean for the people living through it.”

That is why the gallery also includes R2-D2, or rather a reproduction of the “Star Wars” droid as built by Adam Savage of Tested. In George Lucas’ vision of the future (“a long, long time ago”), Astromech droids serve as spacecraft navigators, mechanics, and companion aides.

Beyond the artifacts and exhibits (which also include an immersive 3D-printed Mars habitat and Yuri Gagarin’s training pressure suit), there is a stage and seating area at the center of “Futures.”

“I think of it as a TED Talk-style stage,” said Shindell. “We’re hoping to bring in people from industry, stakeholders, people who have flown, people who are getting ready to fly, and people who have ideas about what should be happening to come and talk to visitors from that stage about the same questions that we’re asking in the gallery.”

Modernized “Milestones”

The artifacts presented in the “Boeing Milestones of Flight” are mostly the same as they were before the hall was closed in 2022. The hall underwent a renovation in 2014 ahead of the museum’s 40th anniversary, so its displays did not need another redesign.

Still, the gallery looks new due to the work done surrounding the objects.

“What is new for the ‘Boeing Milestones of Flight Hall’ is, at some level, most noticeably the floor and media elements,” said Margaret Weitekamp, curator and division chair at the National Air and Space Museum, in an interview.

“We have a wonderful 123-foot (37-meter) media band that goes across the front of the mezzanine, and we have 20 different slide shows that work as a digest of what you’ll find in the new galleries throughout the building,” said Weitekamp. “So as people come into the Boeing Milestones of Flight Hall, they’ll be greeted by that and get a taste of what they’re going to see inside.”

And then there is the new flooring. In the past, the hall had been lined in maroon or dark gray carpet. It is now a much lighter color terrazzo.

“It really brightens up the room,” Weitekamp told collectsPACE.

“Also, you’ll notice that as you are going up and down the hallways, there are medallions embedded in the floor that display quotes from significant aviation and spaceflight figures. So we’ve been able to put some quotes from Carl Sagan, Sally Ride, and Chuck Yeager into the floor,” she said.

the view looking down and into a museum gallery with aircraft suspended from the ceiling, spacecraft on display and a binary map embedded in the flooring — The pattern on the floor of the Boeing Milesones of Flight Hall is the pulsar-based map to Earth’s solar system that was mounted to the Pioneer and Voyager probes, now updated for 2026. Credit: Smithsonian National Air and Space Museum

Visitors should also pay attention to what look like lines of dashes converging at the hall’s center. The design is an update to a NASA graphic.

“We have a revised version of the pulsar map from Pioneer 10 and 11 and the Voyager interstellar record,” said Weitekamp, referring to the representation of the location of Earth for any extraterrestrial species that might discover the probes in the future. “The map located Earth’s solar system with relationship to 14 pulsars.”

When the Pioneer and Voyager spacecraft were launched, astronomers didn’t know that pulsars (or rotating neutron stars) slow down over time.

“So we worked with a colleague of ours to make it a map to our solar system as would be accurate for 2026, which will mark the 50th anniversary of the museum’s building and the 250th birthday of the nation,” Weitekamp said.

Thirteen open, eight to go

Monday’s opening followed an earlier debut of eight reimagined galleries in 2022. Also open is the renovated Lockheed Martin IMAX Theater, which joins the planetarium, the museum store, and the Mars Café that were reopened earlier.

the exterior entrance to a building with a tall, spike-like silver sculpture standing front and center — The redesigned north entrance to the Smithsonian National Air and Space Museum opened to the public on Monday, July 28, 2025. Credit: Smithsonian National Air and Space Museum

“We are nearing the end of this multi-year renovation project,” said Browne. “We look forward to welcoming many more people into these modernized and inspiring new spaces,”

Eight more exhibitions are scheduled to open next year in time for the 50th anniversary of the National Air and Space Museum. Among those galleries are three that are focused on space: “At Home in Space,” “National Science Foundation Discovering Our Universe,” and “RTX Living in the Space Age Hall.”

Admission to the National Air and Space Museum and the new galleries is free, but timed-entry passes, available from the Smithsonian’s website, are required.

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“It’s a heist”: Senator calls out Texas for trying to steal shuttle from Smithsonian

Bring the Space Shutle Home Act, Chantilly, Dick Durbin, discovery, John Corbyn, NASA, National Air and Space Museum, One Big Beautiful Bill, senators, Smithsonian, Space, space center houston, Space exploration, space history, Space shuttle, Steven F. Udvar-Hazy Center, ted cruz, texas, Virginia / Shannon Garcia / July 11, 2025

Citing research by NASA and the Smithsonian, Durbin said that the total was closer to $305 million and that did not include the estimated $178 million needed to build a facility to house and display Discovery once in Houston.

Furthermore, it was unclear if Congress even has the right to remove an artifact, let alone a space shuttle, from the Smithsonian’s collection. The Washington, DC, institution, which serves as a trust instrumentality of the US, maintains that it owns Discovery. The paperwork signed by NASA in 2012 transferred “all rights, interest, title, and ownership” for the spacecraft to the Smithsonian.

“This will be the first time ever in the history of the Smithsonian someone has taken one of their displays and forcibly taken possession of it. What are we doing here? They don’t have the right in Texas to claim this,” said Durbin.

Houston was not the only city to miss out on displaying a retired space shuttle. In 2011, Durbin and fellow Illinois Senator Mark Kirk appealed to NASA to exhibit one of the winged spacecraft at the Adler Planetarium in Chicago. The agency ultimately decided to award the shuttles to the National Air and Space Museum, the Kennedy Space Center Visitor Complex in Florida, and the California Science Center in Los Angeles.

Houston, we have a problem

A prototype orbiter that was exhibited where Discovery is now was transferred to the Intrepid Museum in New York City.

To be able to bring up his points at Thursday’s hearing, Durbin introduced the “Houston, We Have a Problem” amendment to “prohibit the use of funds to transfer a decommissioned space shuttle from one location to another location.”

He then withdrew the amendment after having voiced his objections.

“I think we’re dealing with something called waste. Eighty-five million dollars worth of waste. I know that this is a controversial issue, and I know that there are other agencies, Smithsonian, NASA, and others that are interested in this issue; I’m going to withdraw this amendment, but I’m going to ask my colleagues to be honest about it,” said Durbin. “I hope that we think about this long and hard.”

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Trump annoyed the Smithsonian isn’t promoting discredited racial ideas

eugenics, race, Racism, Science, scientific racism, Smithsonian, Trump / Kelly Newman / March 30, 2025

On Thursday, the Trump administration issued an executive order that took aim at one of the US’s foremost cultural and scientific institutions: the Smithsonian. Upset by exhibits that reference the role of racism, sexism, and more in the nation’s complicated past, the order tasks the vice president and a former insurance lawyer (?) with ensuring that the Smithsonian Institution is a “symbol of inspiration and American greatness”—a command that specifically includes the National Zoo.

But in the process of airing the administration’s grievances, the document specifically calls out a Smithsonian display for accurately describing our current scientific understanding of race. That raises the prospect that the vice president will ultimately demand that the Smithsonian display scientifically inaccurate information.

Grievance vs. science

The executive order, entitled “Restoring Truth And Sanity To American History,” is filled with what has become a standard grievance: the accusation that, by recognizing the many cases where the US has not lived up to its founding ideals, institutions are attempting to “rewrite our nation’s history.” It specifically calls out discussions of historic racism, sexism, and oppression as undercutting the US’s “unparalleled legacy of advancing liberty, individual rights, and human happiness.”

Even if you move past the obvious tension between a legacy of advancing liberty and the perpetuation of slavery in the US’s founding documents, there are other ironies here. For example, the order slams the Department of the Interior’s role in implementing changes that “inappropriately minimize the value of certain historical events or figures” at the same time that the administration’s policies have led to the removal of references to transgender individuals and minorities and women.

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