Wake Up Dead Man garnered early rave reviews after screening at the Toronto International Film Festival (TIFF) in September, and an initial teaser released shortly after showcased Blanc puzzling over a classic locked-room mystery. The new trailer builds out some of the details without giving too much away.
Rev. Jud is the prime suspect in Wicks’ murder, since he loathed the man and hence had a clear motive, but he insists to Blanc that he is innocent. We learn that Wicks was wealthy, and this being a classic whodunit, we know the rest of the characters no doubt have their deep, dark secrets—one of which could have led to murder. And Johnson brings the humor, too, as Blanc, the groundskeeper, and Martha discover the desecration of Wicks’ tombstone with scrawled graffiti penises. “Makes me sick, these kids painting rocket ships all over his sacred resting place,” the unworldly Martha says.
Wake Up Dead Man will be in select theaters on November 26, 2025, and will start streaming on Netflix on December 12, 2o25. We can’t wait.
Purnell, Goggins, MacLachlan, and Moten all return for S2, along with Moises Arias as Lucy’s younger brother, Norm, and Frances Turner as Barb Howard, Cooper’s wife and a high-ranking Vault-Tec executive. Justin Theroux joins the S2 cast as Mr. Robert House, founder and CEO of RobCo Industries, as well as Macaulay Culkin (possibly playing Caesar) and Kumail Nanjiani, both of whom appear briefly in the new trailer.
The Ghoul (Walton Goggins) has been searching for his family for 200 years. YouTube/Prime Video
The trailer opens with Maximus chatting with another denizen of the wasteland, who insists that while he’s seen lots of crazy and unnatural things in his struggle to survive, he’s never seen good people. Maximus has met one good person: Lucy. But his acquaintance isn’t having it. “I would be a good person too if I grew up in some cozy impenetrable home,” he says. “Wouldn’t have to steal and stab and fib all the time just to get by.”
Lucy, of course, has been challenged to hang onto her fundamental decency while navigating the brutal surface world, hardening just enough to do what’s necessary to survive. She’s now looking for her father with a new motive: to bring him to justice, “so people know that how they conduct themselves matters, and they don’t give up hope.” (We catch a few glimpses of Hank, most notably experimenting on a mouse in the lab, with disastrous results.) The Ghoul, for his part, is looking for his family; it’s the only reason he’s hung around for 200 years. Meanwhile, civil war is brewing, and you just know our main cast will all end up caught up in the conflict.
The second season of Fallout premieres on December 17, 2025, on Prime Video.
Netflix’s international offerings include some entertaining Norwegian fare, such as the series Ragnarok (2020–2023), a surprisingly engaging reworking of Norse mythology brought into the 21st century that ran for three seasons. Another enjoyable offering was a 2022 monster movie called Troll, essentially a Norwegian take on the classic Godzilla formula. Netflix just dropped a trailer for the sequel, Troll 2, which looks to be very much in the same vein as its predecessor.
(Spoilers for the first Troll movie below.)
Don’t confuse the Netflix franchise with 2010’s Trollhunter, shot in the style of a found footage mockumentary. A group of college students sets off into the wilds of the fjordland to make a documentary about a suspected bear poacher named Hans. They discover that Hans is actually hunting down trolls and decide to document those endeavors instead, but soon realize they are very much out of their depth.
Writer/director André Øvredal infused Trollhunter with the driest of wit and myriad references to Norwegian culture, especially its folklore and fairy tales surrounding trolls. There are woodland trolls and mountain trolls, some with tails, some with multiple heads. They turn to stone when exposed to sunlight—which is why one of the troll hunters carries around a powerful UV lamp—and mostly eat rocks but can develop a taste for human flesh, and they can smell the blood of a Christian.
Directed by Roar Uthaug, the first Troll film is based on the same mythology. It had great action sequences and special effects and didn’t take itself too seriously. A young girl named Nora grows up with the mythology of Norwegian trolls turned to stone buried in the local mountains. An adult Nora (Ine Marie Wilmann), now a paleontologist, teams up with a government advisor, Andreas (Kim S. Falck-Jørgensen), and a military captain, Kris (Mads Sjøgård Pettersen), to take out a troll that has been rampaging across Norway, charting a path of destruction toward the heavily populated city of Oslo.
Rosta’s Caleb is front and center in the new trailer. We see him as a child with his mother (Tatiana Maslany), who is torn away from him by armed guards as Nus Braka cackles, “You hold on to how much you hate me right now, kid. It’ll keep you warm at night.” Cut to Captain Ake finding the now-grown Caleb and recruiting him to the Academy with a promise to help him find Nus Braka—presumably to exact some kind of revenge. We get to see instructors put the new cadets through their paces as they strive to be worthy of the Starfleet uniform. Love might be in the air for Caleb. And Captain Ake seems to have her own twisted history with Nus Braka.
As Ars senior editor Sam Axon pointed out in 2023, there have been Kobayashi Maru references throughout the franchise, as well as substantial plotlines about the academy in The Next Generation and Deep Space Nine, among others. There were also Starfleet Academy video games in the 1990s for various platforms.
Star Trek: Starfleet Academy premieres on January 15, 2026, on Paramount+.
First look at Strange New Worlds S4
Let’s be honest. The third season of Strange New Worlds has been pretty uneven. But a course correction could be in the offing, judging by a four-and-a-half minute clip from the upcoming fourth season that was unveiled at NYCC. It’s an extended sequence in which Captain Pike (Anson Mount) and his crew respond to a distress signal from another ship, only to encounter a massive space storm that knocks out almost all their systems. They decide to take a shuttle to a nearby planet to gather some much-needed iridium to power their warp drive. (Is anyone else hearing echoes of Galaxy Quest and the hunt for a replacement beryllium sphere?)
Still, the tone does seem more of a return to form for the series. (For what it’s worth, producer Akiva Goldsman has attributed the S3 issues in part to production delays as a result of strikes and staffing changes.) The fourth season of Star Trek: Strange New Worlds is slated for release sometime next year. The series has already been renewed for a truncated fifth and final season of six episodes.
Marvel Studios has dropped the first teaser for Wonder Man, an eight-episode miniseries slated for a January release, ahead of its panel at New York Comic Con this weekend.
Part of the MCU’s Phase Six, the miniseries was created by Destin Daniel Cretton (Shang-Chi and the Legend of Five Rings) and Andrew Guest (Hawkeye), with Guest serving as showrunner. It has been in development since 2022.
The comic book version of the character is the son of a rich industrialist who inherits the family munitions factory but is being crushed by the competition: Stark Industries. Baron Zemo (Falconand the Winter Soldier) then recruits him to infiltrate and betray the Avengers, giving him super powers (“ionic energy”) via a special serum. He eventually becomes a superhero and Avengers ally, helping them take on Doctor Doom, among other exploits. Since we know Doctor Doom is the Big Bad of the upcoming two new Avengers movies, a Wonder Man miniseries makes sense.
In the new miniseries, Yahya Abdul-Mateen II stars as Simon Williams, aka Wonder Man, an actor and stunt person with actual superpowers who decides to audition for the lead role in a superhero TV series—a reboot of an earlier Wonder Man incarnation. Demetrius Grosse plays Simon’s brother, Eric, aka Grim Reaper; Ed Harris plays Simon’s agent, Neal Saroyan; and Arian Moayed plays P. Clearly, an agent with the Department of Damage Control. Lauren Glazier, Josh Gad, Byron Bowers, Bechir Sylvain, and Manny McCord will also appear in as-yet-undisclosed roles
A squire and his hedge knight: Dexter Sol Ansell plays “Egg” (l) and Peter Claffey plays Dunk (r). Credit: YouTube/HBO
This being a Game of Thrones series, there’s also an extensive supporting cast. Ross Anderson plays Ser Humfrey Hardyng; Edward Ashley plays Ser Steffon Fossoway; Henry Ashton as Egg’s older brother, Prince Daeron “The Drunken” Targaryen; Youssef Kerkour as a blacksmith named Steely Pate; Daniel Monks as Ser Manfred Dondarrion; Shaun Thomas as Raymun Fossoway; Tom Vaughan-Lawlor as Plummer, a steward; Steve Wall as Lord Leo “Longthorn” Tyrell, Lord of Highgarden; and Danny Webb as Dunk’s mentor, Ser Arlan of Pennytree.
It’s a good rule of thumb in the Game of Thrones universe not to get too attached to any of the characters, and that probably holds true here, too. But Knight of the Seven Kingdoms also seems to be aiming for a different, lighter tone than its predecessors, judging by the teaser, which has its share of humor. Martin has said as much on his blog, although he added, “It’s still Westeros, so no one is truly safe.”
Since Dunk is a humble hedge knight, there are lots of scenes with him trudging through mud and rain, and jousting will apparently feature much more prominently. “I always love Medieval tournaments in other pictures,” Martin said during a NYCC panel. “We had several tournaments in Game of Thrones, they were in the background, but not the center. I wanted to do something set during a tournament. I sent (the TV writers) a challenge: Let’s do the best jousting sequences that were ever done on film. My favorite was 1952’s Ivanhoe.”
A Knight of the Seven Kingdoms debuts on HBO on January 18, 2026.
Director Andy Muschietti’s two-film adaptation of Stephen King’s bestselling horror novel IT racked up over $1 billion at the box office worldwide. Now Muschietti is back with a nine-episode prequel series for HBO, IT: Welcome to Derry, exploring the origins of Pennywise the Clown (Bill Skarsgård), the ancient evil that terrorized the fictional town every 27 years. And now we have an official trailer a month before the prequel’s October debut.
(Some spoilers below for IT and IT: Chapter Two.)
As previously reported, set in 1989, ITessentially adapted half of King’s original novel, telling the story of a group of misfit kids calling themselves “The Losers Club.” The kids discover their small town of Derry is home to an ancient, trans-dimensional evil that awakens every 27 years to prey mostly on children by taking the form of an evil clown named Pennywise. Bill (Jaeden Lieberher) loses his little brother, Georgie, to Pennywise, and the group decides to take on Pennywise and drive him into early hibernation, where he will hopefully starve. But Beverly (Sophia Lillis) has a vision warning that Pennywise will return on schedule in 27 years, and they must be ready to fight him anew.
IT: Chapter Tworevisited our protagonists 27 years later, as they all returned to Derry as adults for a reunion of sorts, taking on the killer clown in a final battle—eventually emerging victorious but not without a few casualties. The two films covered much of the novel’s material but omitted several key flashback passages drawn from Mike’s interviews with older residents of Derry as he investigated the town’s sinister history.
One event that did make it into IT: Chapter Two was the burning down of the Black Spot—a nightclub Mike’s (Chosen Jacobs and Isaiah Mustafa) father, Will, opened—by local white supremacists. That tragedy will also appear in Welcome to Derry. The series is set in 1962, although Muschietti said earlier this year that there are plans for three seasons, with subsequent settings in 1935 and 1908, respectively. That’s consistent with Pennywise’s 27-year cycle, and as Muschietti said, “There’s a reason why the story is told backwards.”
Prime Video has dropped an extended teaser for the much-anticipated second season of Fallout, widely considered to be among the best TV adaptations of a gaming franchise. In our 2024 year-end roundup, Ars senior editor Samuel Axon wrote that the first season gave us “a specific cocktail of tongue-in-cheek humor, sci-fi campiness, strong themes, great characters, and visceral violence [that] came together into a fantastic show.” The second season looks like it will bring us more of the same, along with a major new character drawn from the Fallout: New Vegas game. We even got a glimpse of a Deathclaw.
(Minor spoilers for S1 below.)
For the uninitiated, Fallout is set two centuries after nuclear warfare between the US and China destroyed civilization in 2077—an alternate history version of 2077, in which post-World War II nuclear technology ushered in a retrofuturistic society. Some lucky survivors took refuge in various underground vaults; others were left to scavenge a meager existence on the highly radioactive surface.
In S1, we met Lucy MacLean (Ella Purnell), a young woman whose vault is raided by surface dwellers. The raiders kill many vault residents and kidnap her father, Hank (Kyle MacLachlan), so the sheltered Lucy sets out on a quest to find him. Life on the surface is pretty brutal, but Lucy learns fast. Along the way, she finds an ally (and love interest) in Maximus (Aaron Moten), a squire masquerading as a knight of the Brotherhood of Steel. And she runs afoul of a gunslinger and bounty hunter known as the Ghoul (Walton Goggins), a former Hollywood actor named Cooper Howard who survived the original nuclear blast, but radiation exposure turned him into, well, a ghoul.
The fictional band Huntr/x, from K-Pop Demon Hunters, has a real-world hit with “Golden.”
Netflix has a summer megahit on its hands with its animated musical feature film, K-Pop Demon Hunters. Since its June release, the critically acclaimed film has won fans of all ages, fueled by a killer Korean pop soundtrack featuring one earworm after another. The biggest hit is “Golden,” which just hit No. 1 on Billboard’s Top 100 chart. (The last time a fictional ensemble topped the charts was in 2022 with Encanto‘s “We Don’t Talk About Bruno.”)
K-Pop Demon Hunters is now Netflix’s most-watched animated film of all time, and that’s not just because of the infectious music. The Sony Animation team delivers bold visuals that evoke the look and feel of anime, the plot is briskly paced, and the script strikes a fine balance between humor and heart.
(Spoilers below.)
The film deftly lays out the central premise in the first few minutes. In ancient times, demons roamed the Earth freely and preyed upon human souls, until a trio of women—gifted singers and demon hunters—created a magical protective barrier with their voices known as the Honmoon, trapping the demons behind it. The Honmoon has been maintained ever since by subsequent musical trios/demon hunters from each generation. The dream is that one day, the Honmoon will become so strong it will turn “golden” and seal away the demons forever.
Naturally the demons, led by their king Gwi-Ma (Lee Byung-hun), don’t want that to happen, but the latest incarnation of demon hunters—a K-Pop band called Huntr/x—is close to accomplishing the Golden Honmoon. Rumi (Arden Cho) is the lead singer, Mira (May Hong) is the group’s dancer/choreographer, and American-born Zoey (Ji-young Yoo) is the rapper and lyricist. But Rumi harbors a secret: her father was a demon, and she is marked by the telltale purple “patterns,” which she keeps hidden from her bandmates.
Hoping to destroy the Honmoon once and for all, Gwi-Ma sends five of his demons to form a K-pop boy band, the Saja Boys, led by Jinu (Ahn Hyo-seop). Their popularity soon rivals that of Huntr/x and threatens the Honmoon—just as Rumi’s patterns spread to her throat and weaken her singing voice.
How it’s done, done, done
Mira, Rumi, and Zoey take a timeout from fighting demons to carb-load with ramen. Netflix
That’s a big problem because their new hit single, “Golden” (performed by South Korean singer/songwriter Ejae), spans an impressive three-octave range, eventually hitting an A-5 on the chorus—a high note usually reserved for classically trained operatic sopranos. (Ejae’s performance on this song has impressed a lot of YouTube vocal coaches.) And the first live global performance of “Golden” is supposed to be the event that ushers in the Golden Honmoon. It’s a soaring, impeccably constructed “I Want” tune typical of Disney princesses.
We have the first teaser for the second season of Netflix’s live-action series adaptation of One Piece, subtitled Into the Grand Line. The streaming platform also released some first-look images and announced that the series has been renewed for a third season.
(Some spoilers for S1 below.)
As previously reported, the original One Piece manga debuted in 1997, following the adventures of one Monkey D. Luffy, who heads a motley crew called the Straw Hat Pirates. There’s swordsman Roronoa Zoro, thief and navigator Nami, sniper and compulsive liar Usopp, and a cook named Sanji. They’re searching for the legendary One Piece, a mythical treasure that would make anyone who possesses it King of the Pirates. Monkey wants to be the Pirate King, but so do a host of other pirates with their own ships and crews.
An anime TV series based on the original manga premiered in 1999 and became a global hit; it was the most-watched TV show of 2022, even beating out Stranger Things. So Netflix decided to make a live-action version, which received critical and popular acclaim, particularly for its fidelity to the source material. Iñaki Godoy stars as Monkey, who has rubber-like abilities thanks to accidentally ingesting a Devil Fruit. Mackenyu plays Zoro, Emily Rudd plays Nami, Taz Skylar plays Sanji, and Jacob Romero Gibson plays Usopp, son of an infamous pirate father named Yasopp. The S2 teaser features several new faces that will be familiar to fans of the manga and anime series.
I unequivocally loved the first season of The Sandman, the Netflix adaptation of Neil Gaiman’s influential graphic novel series (of which I am longtime fan). I thought it captured the surreal, dream-like feel and tone of its source material, striking a perfect balance between the anthology approach of the graphic novels and grounding the narrative by focusing on the arc of its central figure: Morpheus, lord of the Dreaming. It’s been a long wait for the second and final season, but S2 retains all those elements to bring Dream’s story to its inevitably tragic, yet satisfying, end.
(Spoilers below; some major S2 reveals after the second gallery. We’ll give you a heads-up when we get there.)
When Netflix announced in January that The Sandman would end with S2, speculation abounded that this was due to sexual misconduct allegations against Gaiman (who has denied them). However, showrunner Allan Heinberg wrote on X that the plan had long been for there to be only two seasons because the show’s creators felt they had only enough material to fill two seasons, and frankly, they were right. The first season covered the storylines of Preludes and Nocturnes and A Doll’s House, with bonus episodes adapting “Dream of a Thousand Cats” and “Calliope” from Dream Country.
The S2 source material is drawn primarily from Seasons of Mists, Brief Lives, The Kindly Ones, and The Wake, weaving in relevant material from Fables and Reflections—most notably “The Song of Orpheus” and elements of “Thermidor”—and the award-winning “A Midsummer Night’s Dream” from Dream Country. This season’s bonus episode adapts the 1993 standalone spinoff Death: The High Cost of Living. All that’s really missing is A Game of You—which focuses on Barbie (a minor character introduced in A Doll’s House) trying to save her magical dream realm from the evil forces of the Cuckoo—and a handful of standalone short stories. None of that material has any bearing on the Dream King’s larger character arc, so we lose little by the omissions.
Making amends
After escaping his captors, regaining his talismans, tracking down the rogue Corinthian (Boyd Holbrook), and dealing with a Vortex, S2 finds Morpheus (Tom Sturridge) rebuilding the Dreaming, which had fallen into disrepair during his long absence. He is interrupted by his sibling Destiny’s (Adrian Lester) unexpected summons to a family meeting, including Death (Kirby Howell-Baptiste), Desire (Mason Alexander Park), Despair (Donna Preston), and Delirium (Esmé Creed-Miles).
Chances are you haven’t been watching Invasion, an Apple TV+ sci-fi drama overshadowed to some extent by two of the streamer’s other sci-fi shows, Silo and Foundation. Yes, Invasion has received mixed reviews for its ponderous pacing (especially in the first season). Even its fans may admit to having something of a love/hate relationship with the show. But the cinematography is gorgeous, and the writers are clearly trying to explore some ambitious themes, with variable success. Apple TV+ just released a trailer for the upcoming third season that suggests this series with so much promise might finally be hitting its stride.
(Some spoilers for first two seasons below.)
Invasion was created by David Weil (Hunters) and Simon Kinberg (best known for writing and/or producing several X-Men films, as well as The Martian, which was nominated for several Oscars). The first season focused on the initial stages of the titular alien invasion, portraying the events through the eyes of ordinary people around the world—the series is in English, Japanese, and Pashto—as they come to terms with the existential threat Earth is facing. In fact, the aliens take a back seat to the human interactions, which irritated some viewers eager to see actual aliens in a show about an extraterrestrial invasion.
The full-on invasion closed out the first season. A much stronger, action-oriented S2 essentially re-invented itself to explore how our surviving main characters adjusted to their brave new world, as well as the occasionally terrible decisions that had to be made in order to survive. The aliens rapidly took over, with humans relegated to small safe zones. It was still a bit of a slow burn, but it set up several intriguing elements for S3, which takes place two years later. And the aliens are evolving. Per the official premise:
