Tech

microsoft-turns-50-today,-and-it-made-me-think-about-ms-dos-5.0

Microsoft turns 50 today, and it made me think about MS-DOS 5.0

On this day in 1975, Bill Gates and Paul Allen founded a company called Micro-Soft in Albuquerque, New Mexico.

The two men had worked together before, as members of the Lakeside Programming group in the early 70s and as co-founders of a road traffic analysis company called Traf-O-Data. But Micro-Soft, later renamed to drop the hyphen and relocated to its current headquarters in Redmond, Washington, would be the company that would transform personal computing over the next five decades.

I’m not here to do a history of Microsoft, because Wikipedia already exists and because the company has already put together a gauzy 50th-anniversary retrospective site with some retro-themed wallpapers. But the anniversary did make me try to remember which Microsoft product I consciously used for the first time, the one that made me aware of the company and the work it was doing.

To get the answer, just put a decimal point in the number “50”—my first Microsoft product was MS-DOS 5.0.

Riding with DOS in the Windows era

I remember this version of MS-DOS so vividly because it was the version that we ran on our first computer. I couldn’t actually tell you what computer it was, though, not because I don’t remember it but because it was a generic yellowed hand-me-down that was prodigiously out of date, given to us by well-meaning people from our church who didn’t know enough to know how obsolete the system was.

It was a clone of the original IBM PC 5150, initially released in 1981; I believe we took ownership of it sometime in 1995 or 1996. It had an Intel 8088, two 5.25-inch floppy drives, and 500-something KB of RAM (also, if memory serves, a sac of spider eggs). But it had no hard drive inside, meaning that anything I wanted to run on or save from this computer needed to use a pile of moldering black plastic diskettes, more than a few of which were already going bad.

Microsoft turns 50 today, and it made me think about MS-DOS 5.0 Read More »

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Nvidia confirms the Switch 2 supports DLSS, G-Sync, and ray tracing

In the wake of the Switch 2 reveal, neither Nintendo nor Nvidia has gone into any detail at all about the exact chip inside the upcoming handheld—technically, we are still not sure what Arm CPU architecture or what GPU architecture it uses, how much RAM we can expect it to have, how fast that memory will be, or exactly how many graphics cores we’re looking at.

But interviews with Nintendo executives and a blog post from Nvidia did at least confirm several of the new chip’s capabilities. The “custom Nvidia processor” has a GPU “with dedicated [Ray-Tracing] Cores and Tensor Cores for stunning visuals and AI-driven enhancements,” writes Nvidia Software Engineering VP Muni Anda.

This means that, as rumored, the Switch 2 will support Nvidia’s Deep Learning Super Sampling (DLSS) upscaling technology, which helps to upscale a lower-resolution image into a higher-resolution image with less of a performance impact than native rendering and less loss of quality than traditional upscaling methods. For the Switch games that can render at 4K or at 120 FPS 1080p, DLSS will likely be responsible for making it possible.

The other major Nvidia technology supported by the new Switch is G-Sync, which prevents screen tearing when games are running at variable frame rates. Nvidia notes that G-Sync is only supported in handheld mode and not in docked mode, which could be a limitation of the Switch dock’s HDMI port.

Nvidia confirms the Switch 2 supports DLSS, G-Sync, and ray tracing Read More »

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What is “MicroSD Express,” and why is it mandatory for the Nintendo Switch 2?

Among the changes mentioned in yesterday’s Nintendo Switch 2 presentation was a note that the new console doesn’t just support MicroSD Express cards for augmenting the device’s 256GB of internal storage, but it requires MicroSD Express. Whatever plentiful, cheap microSD card you’re using in your current Switch, including Sandisk’s Nintendo-branded ones, can’t migrate over to your Switch 2 alongside all your Switch 1 games.

MicroSD Express, explained

Why is regular-old MicroSD no longer good enough? It all comes down to speed.

Most run-of-the-mill SD and microSD cards you can buy today are using some version of the Ultra High Speed (UHS) standard. Designed to augment the default speed (12.5MB/s) and high speed (25MB/s) from the earliest versions of the SD card standard, the three UHS versions enable data transfers of up to 624MB/s.

But most commodity microSD cards, including pricier models like Samsung’s Pro Ultimate series, use UHS-I, which has a maximum data transfer speed of 104MB/s. The original Switch uses a UHS-I microSD card slot for storage expansion.

Why have newer and faster versions of the standard—UHS-II, UHS-III, and SD Express—failed to achieve critical mass? Because for most consumer applications, it turns out that 100-ish megabytes per second is plenty. The SD Association itself says that 90MB per second is good enough to record an 8K video stream at up to 120 frames per second. Recording pictures and video is the most demanding thing most SD cards are called upon to do—give or take a Raspberry Pi-based computer—and you don’t need to overspend to get extra speed you’re not going to use.

All of that said, there is a small but measurable increase in launch and loading times when loading games from the original Switch’s microSD card instead of from internal storage. And for games with chronic performance issues like Pokémon Scarlet and Violet, one of the community-suggested fixes was to move the game from your microSD card to your Switch’s internal storage to alleviate one of the system’s plentiful performance bottlenecks.

What is “MicroSD Express,” and why is it mandatory for the Nintendo Switch 2? Read More »

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Samsung turns to China to boost its ailing semiconductor division

Samsung has turned to Chinese technology groups to prop up its ailing semiconductor division, as it struggles to secure big US customers despite investing tens of billions of dollars in its American manufacturing facilities.

The South Korean electronics group revealed last month that the value of its exports to China jumped 54 percent between 2023 and 2024, as Chinese companies rush to secure stockpiles of advanced artificial intelligence chips in the face of increasingly restrictive US export controls.

In one previously unreported deal, Samsung last year sold more than three years’ supply of logic dies—a key component in manufacturing AI chips—to Kunlun, the semiconductor design subsidiary of Chinese tech group Baidu, according to people familiar with the matter.

But the increasing importance of its China sales to Samsung comes as it navigates growing trade tensions between Washington and Beijing over the development of sensitive technologies.

The South Korean tech giant announced last year that it was making a $40 billion investment in expanding its advanced chip manufacturing and packaging facilities in Texas, boosted by up to $6.4 billion in federal subsidies.

But Samsung’s contract chipmaking business has struggled to secure big US customers, bleeding market share to Taiwan Semiconductor Manufacturing Co, which is investing “at least” $100 billion in chip fabrication plants in Arizona.

“Samsung and China need each other,” said CW Chung, joint head of Apac equity research at Nomura. “Chinese customers have become more important for Samsung, but it won’t be easy to do business together.

Samsung has also fallen behind local rival SK Hynix in the booming market for “high bandwidth memory,” another crucial component in AI chips. As the leading supplier of HBMs for use by Nvidia, SK Hynix’s quarterly operating profit last year surpassed that of Samsung for the first time in the two companies’ history.

“Chinese companies don’t even have a chance to buy SK Hynix’s HBM because the supply is all bought out by the leading AI chip producers like Nvidia, AMD, Intel and Broadcom,” said Jimmy Goodrich, senior adviser for technology analysis to the Rand Corporation research institute.

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Google shakes up Gemini leadership, Google Labs head taking the reins

On the heels of releasing its most capable AI model yet, Google is making some changes to the Gemini team. A new report from Semafor reveals that longtime Googler Sissie Hsiao will step down from her role leading the Gemini team effective immediately. In her place, Google is appointing Josh Woodward, who currently leads Google Labs.

According to a memo from DeepMind CEO Demis Hassabis, this change is designed to “sharpen our focus on the next evolution of the Gemini app.” This new responsibility won’t take Woodward away from his role at Google Labs—he will remain in charge of that division while leading the Gemini team.

Meanwhile, Hsiao says in a message to employees that she is happy with “Chapter 1” of the Bard story and is optimistic for Woodward’s “Chapter 2.” Hsiao won’t be involved in Google’s AI efforts for now—she’s opted to take some time off before returning to Google in a new role.

Hsiao has been at Google for 19 years and was tasked with building Google’s chatbot in 2022. At the time, Google was reeling after ChatGPT took the world by storm using the very transformer architecture that Google originally invented. Initially, the team’s chatbot efforts were known as Bard before being unified under the Gemini brand at the end of 2023.

This process has been a bit of a slog, with Google’s models improving slowly while simultaneously worming their way into many beloved products. However, the sense inside the company is that Gemini has turned a corner with 2.5 Pro. While this model is still in the experimental stage, it has bested other models in academic benchmarks and has blown right past them in all-important vibemarks like LM Arena.

Google shakes up Gemini leadership, Google Labs head taking the reins Read More »

unshittification:-3-tech-companies-that-recently-made-my-life…-better

Unshittification: 3 tech companies that recently made my life… better


Enshittification is not the only option.

I’ve been complaining about tech a lot recently, and I don’t apologize for it. Complaining feels great. That feeling of beleaguered, I-against-the-world self-righteousness? Highly underrated.

But a little righteous complaint goes a long, long, loooong way. (Just ask my wife.) Too much can be corrosive, it can make you insufferable to others, and it can leave you jaded, as many people, myself included, have become about technology.

I had three recent experiences, however, that were each quite small in their way but which reminded me that not everything in the tech world has fallen victim to the forces of “enshittification.” Once in a while, technology still feels easy and—dare I co-opt the world from Apple’s marketing department?—even magical.

Call it “unshittification.”

Better DRM

Ars has complained about DRM since our founding over 25 years ago. As writers and editors ourselves, we certainly get the desire not to have one’s work ripped off or repurposed without payment, but even effective DRM imposes annoying costs on those who actually paid the money for the thing.

Case in point: I’ve been teaching myself songwriting, audio production, and mixing for the last 18 months, and part of that process has led me to invest some decent money into Universal Audio products. I bought its stellar and rock-solid-reliable Volt 2 audio interface and then spent much of 2024 snapping up high-quality plugins like Topline Vocal Suite, the Manley Voxbox, and the Electra 88 Rhodes piano. Terrific stuff—but not necessarily cheap.

So it was just insulting to find out the hard way that Universal Audio used a variant of the iLok DRM system—itself unfortunately common in the audio industry—that required constant Internet connectivity to function.

The iLok ecosystem can be configured in three main ways, authorizing your plugins 1) to a custom iLok USB dongle (which costs $50–$70 and requires a USB port—plus, you have to remember it at all times), 2) to the local machine you are working on, or 3) to the cloud. Universal Audio allowed only dongle and cloud authorizations, but I figured this wouldn’t be a problem because, surely, the system would only need to check in semi-regularly.

In fact, the system checked in constantly. Go even a few minutes without Internet access, and all your plugins will disable themselves, leading any mix that uses them to fall apart immediately. Want to work on your laptop during a power outage? Edit some audio on a flight? Use a studio computer that—for stability, performance, and security reasons—is not generally online? Well, I hope you like dongles.

(Some users do—though others have complained that they too can be unstable, they cost extra, and they permanently take up a USB port on your machine.)

Universal Audio is a big name in the business, and their users have complained endlessly about this situation, but the response has generally been that machine-based authorization is less secure and therefore not supported.

So it was a surprise and delight when, on March 25, Universal Audio saw the light and announced that “by popular demand” it was shifting to local machine or iLok USB authorizations. The cloud option was gone, and a company rep even admitted that cloud monitoring “requires a constant Internet and server connection. [In other words], more resources.”

In addition, Universal Audio now allows “up to three” simultaneous authorizations of each digital tool, while before you could only have two.

The online response appears overwhelmingly positive. As one commenter put it, “Ok, I admit: I thought the ‘submit feedback’ feature was just there so users would vent without any serious change occurring… I was wrong on that front. Glad to see UA is listening. Good job!”

Others stressed just how beneficial the move was for touring musicians who may use various bits of Universal Audio tech on stage or on tour. “For touring musicians and all other people that often work in an offline environment this is awesome!” wrote one commenter. Another added, “iLok dongle on stage is scary and glad that’s over with. Power move!”

I concur.

Better customer service

Let’s stick with the “musical” theme for example No. 2.

I purchased Native Instruments’ terrific piano library Noire, which sampled the specific grand piano used by Nihls Frahm in both standard and felted formats—and all of it capturing the ambience of Saal 3 in the East Berlin Funkhaus recording facility where Frahm works. The library is one of my favorites—evocative and gorgeous. But I was apparently the victim of fraud.

See, I purchased the library secondhand. This is completely legal and explicitly allowed by Native Instruments, though the company needs to get manually involved in the transfer process. I purchased Noire from a UK user who already had a “transfer code” approved by Native Instruments, indicating that the software in question was genuine and available for sale.

So I purchased Noire, completed the transfer, and the software showed up in my Native Instruments account. Everything went smoothly, and I was (very gently) rocking out with Noire’s felted piano.

A few weeks (!) later, I received a note, completely out of the blue, from Native Instruments support. They had removed Noire from my account, they said, because the seller had committed some unspecified fraud, and Native Instruments had transferred my copy of Noire back to the original purchaser.

This was extremely uncool. Not only did I have nothing to do with any fraud, nor any reason to think fraud had occurred, but Native Instruments had vetted the software and approved it for transfer, which gave me the confidence to move forward with the purchase. So why was I now the only person to suffer? The original buyer got the plugin restored, the scammer had my money, and Native Instruments hadn’t lost anything.

There appeared to be little I could do about all this. Sure, I could file a dispute with PayPal and try to claw my money back, but Native Instruments is a German company, and—let’s face it—I wasn’t going to do anything if they decided to screw me out of a purchase they had helped me make. (Well—I was going to do something, namely, never purchase from them again. After all, who knew, when they awoke in the morning, if their purchased products would still function?)

This may sound like a complaint, but here’s the thing: When I made my case to Native Instruments over email, they got back to me in a day or two and agreed to put a free though “not for resale” copy of Noire on my account as a goodwill gesture. This was all conducted politely, in impeccable English, and without undue delay. It felt fair to me, and I’m likely to continue purchasing their excellent sample libraries.

Customer service can feel like a lesser priority to most companies, but done right, it actually ensures future sales.

Better money-taking

Finally, an almost trivial example, but one that worked so smoothly I still remember my feeling of shock. “Where’s the catch?” pretty much summed it up.

I’m talking, of course, about March Madness, the annual NCAA college basketball tournament. It’s a terrific spectacle if you can ignore all the economic questions about overpaid coaches, no-longer-amateur players, recruiting violations, and academic distortions that the big sports programs generate. And my University of North Carolina Tar Heels had juuuust squeaked in this year.

Ordinarily, watching the tournament is a nightmare if you don’t have a pay-TV package. For years, streaming options were terrible, forcing you to log in with your “TV provider” (i.e., an expensive cable or satellite company) account or otherwise jump through hoops to watch the games, which are generally shown across three or four different TV channels.

All I wanted was a simple way to give someone my money. No gimmicks, no intro offers, no “TV provider” BS—just a pure streaming play that puts all the games in one place, for a reasonable fee. When I looked into the situation this year, I was surprised to find that this did now exist, it was easy, and it was cheap.

The Max streaming service had all the games, except for those shown on CBS. (You can’t have everything, I guess, but I get CBS in HD using an over-the-air antenna.) It was $10 for a month of service. There were no “intro offers,” no lock-ins, no “before you go!” pleas, no nothing. Indeed, I didn’t even have to create a new account or share a credit card with some new vendor. I just added Max as a “subscription” within Amazon’s video app and boom—tournament time. It took about four seconds, and it has worked flawlessly.

That something this simple could feel revelatory was a good reminder of just how crapified our tech and media ecosystems have become. On my expensive LG OLED TV, for instance, I have to go out of my way to literally prevent my TV from spying on everything that I watch. (Seriously, you should turn this “feature” off. Otherwise, your TV will watch your screen and try to identify everything you watch, then send that data back to whatever group of zombified MBAs thought this was a good idea.) Roku, which provides streaming services to my basement television, is toying with new ads. Every streaming service I’ve subscribed to has jacked up rates significantly over the last year or so.

So just being able to sign up quickly and easily, for 10 bucks, felt frictionless and magical in the way that tech used to do more often. As a bonus, I’ve been able to watch full episodes of Curb Your Enthusiasm, which I have never seen before.

Magic?

“Unshittification” is not always the result of “innovation”—sometimes it’s just about treating people decently. Responding to feedback, personal customer service, and non-gimmicky pricing aren’t new or hot technologies, but they are the sort of things that make for satisfied long-term customers.

So much tech has fallen victim to algorithms, scale, and monetization that it can be a surprising relief to connect easily with a Real Live Human, one empowered to act on your behalf, or to make a purchase without being part of some constantly upselling “sales funnel.” But when it does happen, it feels good. Indeed, in a cynical and atomized age, it feels a tiny bit magical.

Listing image: Getty Images

Photo of Nate Anderson

Unshittification: 3 tech companies that recently made my life… better Read More »

apple-enables-rcs-messaging-for-google-fi-subscribers-at-last

Apple enables RCS messaging for Google Fi subscribers at last

With RCS, iPhone users can converse with non-Apple users without losing the enhanced features to which they’ve become accustomed in iMessage. That includes longer messages, HD media, typing indicators, and much more. Google Fi has several different options for data plans, and the company notes that RCS does use mobile data when away from Wi-Fi. Those on the “Flexible” Fi plan pay for blocks of data as they go, and using RCS messaging could inadvertently increase their bill.

If that’s not a concern, it’s a snap for Fi users to enable RCS on the new iOS update. Head to Apps > Messages, and then find the Text Messaging section to toggle on RCS. It may, however, take a few minutes for your phone number to be registered with the Fi RCS server.

In hindsight, the way Apple implemented iMessage was clever. By intercepting messages being sent to other iPhone phone numbers, Apple was able to add enhanced features to its phones instantly. It had the possibly intended side effect of reinforcing the perception that Android phones were less capable. This turned Android users into dreaded green bubbles that limited chat features. Users complained, and Google ran ads calling on Apple to support RCS. That, along with some pointed questions from reporters may have prompted Apple to announce the change in late 2023. It took some time, but you almost don’t have to worry about missing messaging features in 2025.

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apple-updates-all-its-operating-systems,-brings-apple-intelligence-to-vision-pro

Apple updates all its operating systems, brings Apple Intelligence to Vision Pro

Apple dropped a big batch of medium-size software updates for nearly all of its products this afternoon. The iOS 18.4, iPadOS 18.4, macOS 15.4, tvOS 18.4, and visionOS 2.4 updates are all currently available to download, and each adds a small handful of new features for their respective platforms.

A watchOS 11.4 update was also published briefly, but it’s currently unavailable.

For iPhones and iPads that support Apple Intelligence, the flagship feature in 18.4 is Priority Notifications, which attempts to separate time-sensitive or potentially important notifications from the rest of them so you can see them more easily. The update also brings along the handful of new Unicode 16.0 emoji, a separate app for managing a Vision Pro headset (similar to the companion app for the Apple Watch), and a grab bag of other fixes and minor enhancements.

The Mac picks up two major features in the Sequoia 15.4 update. Users of the Mail app now get the same (optional) automated inbox sorting that Apple introduced for iPhones and iPads in an earlier update, attempting to tame overgrown inboxes using Apple Intelligence language models.

The Mac is also getting a long-standing Quick Start setup feature from the Apple Watch, Apple TV, iPhone, and iPad. On those devices, you can activate them and sign in to your Apple ID by holding another compatible Apple phone or tablet in close proximity. Macs running the 15.4 update finally support the same feature (though it won’t work Mac-to-Mac, since a rear-facing camera is a requirement).

Apple updates all its operating systems, brings Apple Intelligence to Vision Pro Read More »

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Lithium-ion battery waste fires are increasing, and vapes are a big part of it

2024 was “a year of growth,” according to fire-suppression company Fire Rover, but that’s not an entirely good thing.

The company, which offers fire detection and suppression systems based on thermal and optical imaging, smoke analytics, and human verification, releases annual reports on waste and recycling facility fires in the US and Canada to select industry and media. In 2024, Fire Rover, based on its fire identifications, saw 2,910 incidents, a 60 percent increase from the 1,809 in 2023, and more than double the 1,409 fires confirmed in 2022.

Publicly reported fire incidents at waste and recycling facilities also hit 398, a new high since Fire Rover began compiling its report eight years ago, when that number was closer to 275.

Lots of things could cause fires in the waste stream, long before lithium-ion batteries became common: “Fireworks, pool chemicals, hot (barbecue) briquettes,” writes Ryan Fogelman, CEO of Fire Rover, in an email to Ars. But lithium-ion batteries pose a growing problem, as the number of devices with batteries increases, consumer education and disposal choices remain limited, and batteries remain a very easy-to-miss, troublesome occupant of the waste stream.

All batteries that make it into waste streams are potentially hazardous, as they have so many ways of being set off: puncturing, vibration, overheating, short-circuiting, crushing, internal cell failure, overcharging, or inherent manufacturing flaws, among others. Fire Rover’s report notes that the media often portrays batteries as “spontaneously” catching fire. In reality, the very nature of waste handling makes it almost impossible to ensure that no battery will face hazards in handling, the report notes. Tiny batteries can be packed into the most disposable of items—even paper marketing materials handed out at conferences.

Fogelman estimates, based on his experience and some assumptions, that about half of the fires he’s tracking originate with batteries. Roughly $2.5 billion of loss to facilities and infrastructure came from fires last year, divided between traditional hazards and batteries, he writes.

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overblown-quantum-dot-conspiracy-theories-make-important-points-about-qled-tvs

Overblown quantum dot conspiracy theories make important points about QLED TVs


Lawsuits and allegations are creating doubt around quantum dot TVs’ use of QDs.

QLED TV manufacturers have dug themselves into a hole.

After years of companies promising that their quantum dot light-emitting diode TVs use quantum dots (QDs) to boost color, some industry watchers and consumers have recently started questioning whether QLED TVs use QDs at all. Lawsuits have been filed, accusing companies like TCL of using misleading language about whether their QLED TVs actually use QDs.

In this article, we’ll break down why new conspiracy theories about QLED TVs are probably overblown. We’ll also explore why misleading marketing from TV brands is responsible for customer doubt and how it all sets a bad precedent for the future of high-end displays, including OLED TVs and monitors.

What QLED TVs are supposed to do

TVs that use QDs are supposed to offer wider color gamuts and improved brightness over their QD-less LCD-LED counterparts. Just ask Samsung, which says that QLED displays deliver “a wider range of colors,” “better color coverage,” and “a brighter picture.” TCL will tell you that its QLED TVs use “billions of Quantum Dot nanocrystals” and deliver “industry-leading color palette and brightness.”

To be clear, properly manufactured QD TVs that use a sufficient quantity of QDs are legit. Excellent examples, which command higher prices than QD-free rivals, successfully deliver bright pictures with wide color gamuts and impressive color volume (the number of colors a TV displays at various levels of brightness). A TV with strong color volume can depict many light and dark shades of green, for example.

Technology reviews site RTINGS, which is known for its in-depth display testing, explains that a TV with good color volume makes “content look more realistic,” while “TVs with poor color volume don’t show as many details.” This is QLED’s big selling point. A proper QLED TV can be brighter than an OLED TV and have markedly better color volume than some high-end, non-QD LCD-LED displays.

Let’s take a look at some quality QLED TVs for an idea of where the color performance bar should be.

The 2024 Sony Bravia 9, for example, is a $2,500 Mini LED TV with QDs. That’s expensive for a non-OLED TV, but the Bravia 9 covers an impressive 92.35 percent of the DCI-P3 color space, per RTINGS’ testing. RTINGS tests color volume by comparing a screen’s Rec. 2020 coverage to a TV with a peak brightness of 10,000 nits. A “good value,” the publication says, is over 30 percent. The Bravia 9 scored 54.4 percent.

Another well-performing QLED TV is the 2024 Hisense U8. The Mini LED TV has 96.27 percent DCI-P3 coverage and 51.9 percent color volume, according to RTINGS.

Even older QLED TVs can impress. The Vizio M Series Quantum from 2020, for example, has 99.18 percent DCI-P3 coverage and 34 percent color volume, per RTINGS’ standards.

These days, TV marketing most frequently mentions QDs to suggest enhanced color, but it’s becoming increasingly apparent that some TVs marketed as using QDs aren’t as colorful as their QLED labels might suggest.

“QLED generally implies superior colors, but some QLED models have been reported to cover less than 90 percent of the DCI-P3 gamut,” Guillaume Chansin, associate director of displays and XR at Counterpoint Research, told Ars Technica.

QD TVs accused of not having QDs

Recently, Samsung shared with Ars testing results from three TVs that TCL markets as QLEDs in the US: the 65Q651G, 65Q681G, and 75Q651G. The TVs have respective MSRPs of $370, $480, and $550 as of this writing.

Again, TCL defines QLED TVs as a “type of LED/LCD that uses quantum dots to create its display.”

“These quantum dots are nano-sized molecules that emit a distinct colored light of their own when exposed to a light source,” TCL says. But the test results shared by Samsung suggest that the TVs in question don’t use cadmium or indium, two types of chemicals employed in QD TVs. (You don’t need both cadmium and indium for a set to be considered a QD TV, and some QD TVs use a combination of cadmium and indium.)

However, per the testing provided by Samsung and conducted by Intertek, a London-headquartered testing and certification company, none of the tested TVs had enough cadmium to be detected at a minimum detection standard of 0.5 mg/kg. They also reportedly lacked sufficient indium for detection at a minimum standard of 2 mg/kg. Intertek is said to have tested each TV set’s optical sheet, diffuser plate, and LED modules, with testing occurring in the US.

When reached for comment about these results, a TCL spokesperson said TCL “cannot comment on specifics due to current litigation” but that it “stands behind [its] high-performance lineup, which provides uncompromised color accuracy.” TCL is facing a class-action complaint about its QLED TVs’ performance and use of QDs.

TCL’s spokesperson added:

TCL has definitive substantiation for the claims made regarding its QLED televisions and will respond to the litigation in due course. We remain committed to our customers and believe in the premium quality and superior value of our products. In the context of the ongoing litigation, TCL will validate that our industry-leading technologies meet or exceed the high bar that TV viewers have come to expect from us.

“This is not good for the industry”

A manufacturer not telling the truth about QDs in its TVs could be ruinous to its reputation. But a scheme requiring the creation of fake, QD-less films would be expensive—almost as costly as making real QD films, Eric Virey, principal displays analyst at Yole Intelligence, previously told Ars.

What’s most likely happening is that the TVs in question do use QDs for color—but they employ cheaper phosphors to do a lot of the heavy lifting, too. However, even that explanation raises questions around the ethics of classifying these TVs as QLED.

Counterpoint’s Chansin said that the TCL TV test results that Samsung shared with Ars point to the three TVs using phosphors for color conversion “instead of quantum dots.”

He added:

While products that have trace amounts could be said to “contain” quantum dots, it would be misleading to state that these TVs are enhanced by quantum dot technology. The use of the term “QLED” is somewhat more flexible, as it is a marketing term with no clear definition. In fact, it is not uncommon for a QLED TV to use a combination of quantum dots and phosphors.

Analysts that I spoke with agreed that QD TVs that combine QDs and phosphors are more common among lower-priced TVs with low margins.

“Manufacturers have been trying to lower the concentration of quantum dots to cut costs, but we have now reached undetectable levels of quantum dots,” Chansin said. “This is not good for the industry as a whole, and it will undermine consumers’ confidence in the products.”

Phosphors fostering confusion

TCL TVs’ use of phosphors in conjunction with QDs has been documented before. In a 2024 video, Pete Palomaki, owner and chief scientist at QD consultant Palomaki Consulting, pried open TCL’s 55S555, a budget QLED TV from 2022. Palomaki concluded that the TV had QDs incorporated within the diffuser rather than in the standalone optical film. He also determined that a red phosphor called KSF and a green phosphor known as beta sialon contributed to the TV’s color.

In his video, Palomaki said, “In the green spectrum, I get about less than 10 percent from the QD and the remaining 90-plus percent from the phosphor.” Palomaki said that about 75 percent of the TV’s red reproduction capabilities came from KSF, with the rest attributed to QDs. Palomaki emphasized, though, that his breakdowns don’t account for light recycling in the backlight unit, which would probably “boost up the contribution from the quantum dot.”

Palomaki didn’t clarify how much more QD contribution could be expected and declined to comment on this story.

Another video shows an example of a TCL QLED TV that Palomaki said has phosphors around its LEDs but still uses QDs for the majority of color conversion.

TCL isn’t the only TV brand that relies on phosphors to boost the color capabilities of its QLED TVs— and likely reduce manufacturing costs.

“There is an almost full continuum of TV designs, ranging from using only phosphors to using only QDs, with any type of mix in between,” Virey told Ars.

Even Samsung, the company crying foul over TCL’s lack of detectable QDs, has reportedly used phosphors to handle some of the color work handled entirely by QDs in full QD TVs. In 2023, Palomaki pulled apart a 2019 Samsung QN75Q7DRAF. He reported that the TV’s color conversion leverages a “very cheap” phosphor known as yttrium aluminum garnet (YAG), which is “not very good for color gamut.”

A TV using QDs for color conversion should produce an optical spectrogram with narrow peak widths. As QD supplier Avantama explains, “narrower bandwidths translate to purer colors with higher levels of efficiency and vice versa.” In the QN75Q7DRAF’s optical spectrogram that Palomaki provided, you can see that the peaks are sharper and more narrow when measuring the full film stack with the phosphors versus the QD film alone. This helps illustrate the TV’s reliance on phosphors to boost color.

Samsung TV's optical spectrogram


Ars asked Samsung to comment on the use of phosphors in its QD TVs, but we didn’t receive a response.

TV brands have become accustomed to slapping a QLED label on their TVs and thinking that’s sufficient to increase prices. It also appears that TV manufacturers are getting away with cutting back on QDs in exchange for phosphors of various levels of quality and with varied performance implications.

It’s a disappointing situation for shoppers who have invested in and relied on QLED TVs for upper-mid-range performance. But it’s important to emphasize that the use of phosphors in QD TVs isn’t necessarily a bad thing.

According to Virey:

There are a lot of reasons why display engineers might want to use phosphors in conjunction with QDs. Having phosphors in a QD TV doesn’t necessarily imply low performance. It can provide a little boost in brightness, improve homogeneity, etc. Various types of phosphors can be used for different purpose. Phosphors are found in many high-performance—even flagship—displays.

Virey noted that in cases where QLED TVs appear to have no detectable QD content and sit at the lower end of a manufacturer’s QD TV offerings, “cost is clearly the driver” for using phosphors.

Better testing, please

So why don’t TCL and Samsung provide optical spectrograms of the TVs in question to prove whether or not color conversion is occurring as the manufacturer claims? In September, TCL did provide a spectrogram, which it claimed proved the presence of QDs in its TVs. But it’s unclear which model was tested, and the results don’t seem to address red or green. You can view TCL’s spectrogram here.

The company declined to comment on why it hasn’t provided more testing results, including for its QLED TVs’ color gamut and accuracy. Samsung didn’t respond to Ars’ request for comment regarding additional testing.

Providing more informative test results would help shoppers better understand what they can expect from a “QLED TV.” But that level of detail is absent from recent accusations against—and defenses of—QLED TVs. The type of test results that have been shared, meanwhile, have succeeded in delivering greater shock value.

In the interest of understanding the actual performance of one of the TVs in question, let’s take another look at the TCL 65Q651G that Samsung had Intertek test. The $370 65Q651G is named in litigation accusing TCL of lying about its QLED TVs.

RTINGS measured the TV’s DCI-P3 coverage at 88.3 percent and its color volume at 26.3 percent (again, RTINGS considers anything above 30 percent on the latter “good”). Both numbers are steps down from the 99.2 percent DCI-P3 coverage and 34 percent color volume that RTINGS recorded for the 2020 Vizio M Series Quantum. It’s also less impressive than TCL’s QM8, a Mini LED QLED TV currently going for $900. That TV covers 94.59 percent of DCI-P3 and has a color volume of 49.2 percent, per RTINGS’ testing.

Growing suspicion

Perhaps somewhat due to the minimal availability of credible testing results, consumers are increasingly suspicious about their QLED TVs and are taking their concerns to court.

Samsung, seemingly looking to add fuel to the fire surrounding rivals like TCL, told Ars that it used Intertek to test TCL TVs because Intertek has been a “credible resource for quality assurance and testing services for the industry for more than a century.” But another likely reason is the fact that Intertek previously tested three other TCL TVs and concluded that they lacked materials required of QD TVs.

We covered those test results in September. Hansol Chemical, a Seoul-headquartered chemical manufacturer and distributor and Samsung supplier, commissioned the testing of three TCL TVs sold outside of the US: the C755C655, and C655 Pro. Additionally, Hansol hired Geneva-headquartered testing and certification company SGS. SGS also failed to detect indium, even with a higher minimum detection standard of 5 mg/kg and cadmium in the sets.

It’s important to understand the potential here for bias. Considering its relationship with Samsung and its status as a chaebol, Hansol stands to benefit from discrediting TCL QD TVs. Further, the South Korean government has reportedly shown interest in the global TV market and pushed two other chaebols, Samsung and LG, to collaborate in order to maintain market leadership over increasingly competitive Chinese brands like TCL. Considering Hansol’s ties to Samsung, Samsung’s rivalry with TCL, and the unlikely notion of a company going through the effort of making fake QD films for TVs, it’s sensible to be skeptical about the Hansol-commissioned results, as well as the new ones that Samsung supplied.

Still, a lawsuit (PDF) filed on February 11 seeking class-action certification accuses TCL of “marketing its Q651G, Q672G, and A300W televisions as having quantum dot technology when testing of the foregoing models showed that either: (i) the televisions do not have QLED technology, or (ii) that if QLED technology is present, it is not meaningfully contributing to the performance or display of the televisions, meaning that they should not be advertised as QLED televisions.” The complaint is based on the Intertek and SGS testing results provided in September.

Similarly, Hisense is facing a lawsuit accusing it of marketing QD-less TVs as QLED (PDF). “These models include, but are not necessarily limited to, the QD5 series, the QD6 series, QD65 series, the QD7 series, the U7 series, and the U7N series,” the lawsuit, which is also seeking class-action certification, says.

Interestingly, the U7N named in the lawsuit is one of the most frequently recommended QLED TVs from reviews websites, including RTINGS, Digital Trends, Tom’s Guide, and Ars sister site Wired. Per RTINGS’ testing, the TV covers 94.14 percent of DCI-P3 and has a color volume of 37 percent. That’s good enough performance for it to be feasible that the U7N uses some QDs, but without further testing, we can’t know how much of its color capabilities are reliant on the technology.

Both of the lawsuits named above lack evidence to prove that the companies are lying about using QDs. But the litigation illustrates growing customer concern about getting duped by QD TV manufacturers. The complaints also bring to light important questions about what sort of performance a product should deliver before it can reasonably wear the QLED label.

A marketing-made mess

While some Arsians may relish digging into the different components and chemicals driving display performance, the average customer doesn’t really care about what’s inside their TV. What actually impacts TV viewers’ lives is image quality and whether or not the TV does what it claims.

LG gives us a good example of QD-related TV marketing that is likely to confuse shoppers and could lead them to buy a TV that doesn’t align with their needs. For years, LG has been promoting TVs that use QNED, which the company says stands for “quantum nano-emitting diode.” In marketing materials viewable online, LG says QNED TVs use “tiny particles called quantum dots to enhance colors and brightness on screens.”

It’s easy to see the potential for confusion as customers try to digest the TV industry’s alphabet soup, which includes deciphering the difference between the QNED and QLED marketing terms for QD TVs.

But LG made things even more confusing in January when it announced TVs that it calls QNED but which don’t use QDs. Per LG’s announcement of its 2025 QNED Evo lineup, the new TVs use a “new proprietary wide color gamut technology, Dynamic QNED Color Solution, which replaces quantum dots.”

LG claims its Dynamic QNED Color Solution “enables light from the backlight to be expressed in pure colors that are as realistic as they appear to the eye in general life” and that the TVs are “100 percent certified by global testing and certification organization Intertek for Color Volume, measuring a screen’s ability to display the rich colors of original images without distortion.”

But without benchmark results for individual TV models or a full understanding of what a “Dynamic QNED Color Solution” is, LG’s QNED marketing isn’t sufficient for setting realistic expectations for the TV’s performance. And with QNED representing LG’s QD TVs for years, it’s likely that someone will buy a 2025 QNED TV and think that it has QDs.

Performance matters most

What should really matter to a TV viewer is not how many quantum dots a TV has but how strong its image quality is in comparison to the manufacturer’s claims, the TV’s price, and the available alternatives. But the industry’s overuse of acronyms using the letter “Q” and terms like “quantum” has made it difficult to tell the performance potential of so-called QD TVs.

The problem has implications beyond the upper-mid range price point of QLED TVs. QDs have become a major selling point in OLED TVs and monitors. QDs are also at the center of one of the most anticipated premium display technologies, QDEL, or quantum dot electroluminescent displays. Confusion around the application and benefits of QDs could detract from high-end displays that truly leverage QDs for impressive results. Worse, the current approach to QD TV marketing could set a precedent for manufacturers to mislead customers while exploiting the growing popularity of QDs in premium displays.

Companies don’t necessarily need to start telling us exactly how many QDs are in their QLED TVs.  But it shouldn’t be too much to ask to get some clarity on the real-life performance we can expect from these devices. And now that the industry has muddied the definition of QLED, some are calling for a cohesive agreement on what a QD TV really is.

“Ultimately, if the industry wants to maintain some credibility behind that label, it will need to agree on some sort of standard and do some serious self-policing,” Yole’s Virey said.

For now, a reckoning could be coming for TV brands that are found to manipulate the truth about their TVs’ components and composition. The current lawsuits still need to play out in the courts, but the cases have brought attention to the need for TV brands to be honest about the capabilities of their QD TVs.

Things have escalated to the point where TV brands accuse one another of lying. The TV industry is responsible for creating uncertainty around QDs, and it’s starting to face the consequences.

Photo of Scharon Harding

Scharon is a Senior Technology Reporter at Ars Technica writing news, reviews, and analysis on consumer gadgets and services. She’s been reporting on technology for over 10 years, with bylines at Tom’s Hardware, Channelnomics, and CRN UK.

Overblown quantum dot conspiracy theories make important points about QLED TVs Read More »

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Google solves its mysterious Pixel problem, announces 9a launch date

Google revealed the Pixel 9a last week, but its release plans were put on hold by a mysterious “component quality issue.” Whatever that was, it’s been worked out. Google now says its new budget smartphone will arrive as soon as April 10. The date varies by market, but the wait is almost over.

The first wave of 9a releases on April 10 will include the US, Canada, and the UK. On April 14, the Pixel 9a will arrive in Europe, launching in Germany, Spain, Italy, Ireland, France, Norway, Denmark, Sweden, Netherlands, Belgium, Austria, Portugal, Switzerland, Poland, Czechia, Romania, Hungary, Slovenia, Slovakia, Lithuania, Estonia, Latvia, and Finland. On April 16, the phone will come to Australia, India, Singapore, Taiwan, and Malaysia.

You may think that takes care of Google’s launch commitments, but no—Japan still has no official launch date. That’s a bit strange, as Japan is not a new addition to Google’s list of supported regions. It’s unclear if this has anything to do with the previous component issue. Google says only that the Japanese launch will happen “soon.” Its statements about the delayed release were also vague, with representatives noting that the cause was a “passive component.”

Google solves its mysterious Pixel problem, announces 9a launch date Read More »

corning’s-new-ceramic-glass-might-save-your-next-phone-from-disaster

Corning’s new ceramic glass might save your next phone from disaster

This is not Corning’s first swing at adding ceramic to the mix—the company is also responsible for Apple’s Ceramic Shield glass, which has been used on the company’s high-end phones since 2021. Apple fans have been largely impressed with the strength of Ceramic Shield, too. With the debut of Gorilla Glass Ceramic, we’ll be seeing Android phones with ceramic protection. However, we expect this to be a material for more expensive devices.

The glass sandwich

It may seem odd that the industry spends so much time developing stronger glass instead of moving to other, less fragile materials in phones, but there are reasons to use it. Glass is less prone to scratching compared to plastic, so it’s natural to expect it on the screen side. Using glass for the back of a phone enables wireless charging and magnetic attachment, which people have come to expect in premium phones. Using glass can improve wireless signal strength compared to fully metal bodies, too.

Pixel 9 pro XL back

Putting glass inside an aluminum frame makes phones extremely hard to bend.

Credit: Ryan Whitwam

Putting glass inside an aluminum frame makes phones extremely hard to bend. Credit: Ryan Whitwam

Glass also has some mechanical advantages you might not realize. Remember bendgate, when Apple’s sleek aluminum phones would acquire banana-like bends simply from riding around in your front pocket? That doesn’t happen anymore because most high-end (i.e., not plastic) phones have adopted the glass sandwich design. Glass has low tensile strength, which is why it cracks when struck, but its compressive strength is off the chart. So placing a pane of strengthened glass inside a metal frame makes the device extremely stiff and resistant to bending. There are trade-offs, but everyone adopted the glass sandwich for a reason.

We’re interested to see if Gorilla Glass Ceramic makes handling a phone less precarious. Corning announces new versions of Gorilla Glass regularly, but you won’t always see its latest materials across the board. In this case, Corning says Motorola will be the first to offer it “in the coming months.” Presumably, that means it will be used on the exterior of the next foldable Razr.

Corning’s new ceramic glass might save your next phone from disaster Read More »